GODS OF RIVERWORLD by Philip Jose Farmer

The wind cooled her and fluttered her robe as she headed toward the big lake in the middle of the jungle. Its waters sparkled around the floating palace in its center. She had reconstructed this from her memory of an apparition she had seen while voyaging from Antwerp to London. It had appeared suddenly ahead of the ship as if placed there by magic and had startled and frightened everybody aboard. This magical building was square, four stories high, made of marble of various colors, and surrounded by rows of fluted and twisting pillars with climbing vines and flowers and streamers waving in the breeze. Each pillar was carved with hundreds of little Cupids who seemed to be climbing them with the aid of their fluttering wings.

The palace had been seen by everybody aboard the ship. Where had it come from? If it was a mirage, what building did it reflect? There was nowhere in England or the Continent such a rococo fantastic palace.

That unexplainable vision had haunted her the rest of her life on Earth and still did on the Riverworld. She had asked the Computer to explain it to her, but its searches had turned up only the reference to it in the biography of her by John Gildon. This posthumous work had both intrigued and disgusted her because of its inaccuracies and lies. She had then asked for all available literature concerning her and had read Montague Summers’, Bernbaum’s and Sackville-West’s accounts. These authors had been mainly occupied in trying to sift the truth from the romance and speculations and had usually failed. They could not be blamed. The official records and documents about her were scarce, and getting the historical facts about her from her novels, plays and poems was hopeless.

Aphra knew, or had been told, that she was the daughter of a barber, James Johnson of Canterbury. Her mother had died a few days after Aphra’s birth, and she and her sister and brother had been adopted by relatives, John and Amy Amis. Neither she nor the Amises, of course, had any prescience that the little girl would some day be the first Englishwoman to support herself wholly by writing. Nor that one of her poems would be included in anthologies for centuries afterward and one novel would survive as a minor classic.

Her successful intrusion into the hitherto all-male literary field had shocked and affronted many. The deepest shock was felt by the male writers and critics. Their biased and vindictive remarks and politicking made her furious, and she responded in kind, and justly so. She suffered all the hardships, the slingstones and fiery crosses, of the pioneer, but she blazed the path for a host of women who earned their living by the pen.

As a child, she had been nervous and imaginative and often ill. Nevertheless, she survived the six-thousand-mile rough and dangerous voyage to Surinam, an English possession in north South America on the Atlantic Ocean. Her adopted father, John Amis, was not so lucky. He died en route, a victim of a “fever.” He had been appointed lieutenant general of Surinam through the influence of a relative, Lord Willoughby of Parham. Despite the loss of her father, she enjoyed her life, and she took full advantage of the exotic land. Here she met a black slave who had been stolen from his tribe in West Africa and brought to Surinam. His stories of his homeland and his exalted position there, whether true or not, were the source of that romantic novel she was to write years later, Oroonoko, or, The Royal Slave.

“Those were the happiest years of my life. There ’twas always spring, always April, May and June. The trees bore at once all degrees of leaves and fruits. There were groves of oranges, lemons, citrons, figs, nutmegs and noble aromatics continually exuding fragrances. Gaily colored macaws, parrots and canaries flashed above the water lilies in the lagoons and trenches. The twa-twa bird had a cry like a silver gong. The kiskadee called ‘Qu’est-ce que dit? Qu’est-ce que dit?’ I became versed in the strange language of the blacks, half-African, half-English, and heard of Gran Gado, the Grand God, his wife Maria, and his son Jesi Kist. Indians came down from the mountains carrying bags full of gold dust.

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