MOTION PICTURE CONTRACT
November 8, 1968: Robert A. Heiniein to Lurton Blassingame
We have just finished a hard three days with the literary appraiser-hard but very pleasant; he turns out to be muy simpatico. Today I am trying to turn my notes into a long letter to Ned [Brown] re the Glory Road [fantasy novel, see Chapter XI, “Adult Novels”] contract. Darn it, I opened that contract determined to sign it unchanged if at all possible to live with it. Ginny says they let a second cousin write this contract when they should have used at least a first cousin.
TELEVISION SERIES
October 12, 1963: Robert A. Heiniein to Lurton Blassingame
Ned told me by phone that the contract is all set for the TV series and for me to do the pilot film shooting script. He gave me a lot of details, none of which I wrote down, as I don’t believe a durn thing out of Hollywood until I see a signed contract and a check…Ned seems to have gotten from them simply everything he asked for…I simply told him to go ahead and get the best deal he could and I would sign it as long as it did not commit me to work in Hollywood.
But Ned said that I really must come out to Hollywood for at least one day’s conference with Dozier, the boss. This I flatly refused to do until I have a signed contract in hand. I was not just being stubborn.
EDITOR’S NOTE: Robert was quite accustomed to receiving telephone calls from Hollywood producers; they would want him to do a script. Each time, the suggestion would be made, “Why don’t you hop on a plane and come out here and discuss it?”
So, when in 1963, Robert received a telephone call from a Hollywood producer, Howie Horwitz, Robert was ready with an answer. Howie wanted Robert to do a pilot script for a science fiction TV series for Screen Gems. Then came the inevitable line: “Why don’t you hop a plane and come out and discuss it?”
Robert replied, “Why don’t you hop a plane to Colorado and we can discuss it here ?”
To our amazement, Howie did just that.
Robert had sworn a mighty oath not to get involved in such an enterprise again. But Howie’s presence disarmed him. Robert set to work after Howie left and produced a script. Then he found that trying to work between Colorado and Hollywood just wasn ‘t possible. So in early 1964 we went out there for Robert to do rewrites under Howie’s direction.
When the work was finished, we returned home. It was at just this point that the bankers went out to Hollywood from New York, and fired Howie and his boss. The script was shelved at Screen Gems, and Howie and his boss went across the street, and produced “Batman. ”
For all practical purposes, the pilot script was dead, along with the series, “Century XXII. ” There is a faint hope that it may be produced someday. As this is being written, someone recalled the script and is setting about the difficult task of undertaking to produce the film.
January 20, 1964: Robert A. Heinlein to Lurton Blassingame
Will you get me off the hook on several things? There has been a death in my family-no close emotional involvement for me, but some duty matters-so I am unexpectedly catching a plane in about an hour (Ginny remains here), then on my return Thursday will be leaving immediately to drive to Hollywood (Ginny accompanying me) and arriving there possibly late for Screen Gems story conference Monday 27 January…The [TV] thing is sourer than ever and I see no hopes of saving it, but I must go out and try my best.
But today I ‘m badly strapped for time and ask help on some unfinished business (this damned screenplay has put me behind on everything) — and this funeral puts the topper on it-despite the fact that I answered sixty-three letters in the last three days, trying to catch up.
April 8, 1964: Robert A. Heinlein to Lurton Blassingame
I have many other things to acknowledge. We have been home three weeks now, two of them eaten by illness, the rest of the time used futilely in attempting to cope with an avalanche of accumulated low-priority paperwork, several hundred periodicals, etc., piled up not only while we were away, but left undone clear back from last August when (TV producer) first entered my life. This last Hollywood experience has simply confirmed my earlier opinion that, while Hollywood rates are high, what a writer goes through to earn those rates makes it a losing game in the long run. I hope that you and I and Ned [Brown] make some money out of this-but if the series is never produced, I hope to have sense enough to stay home and write books in the future and leave the movie never-never land to those who enjoy that rat race.