Although his fingerprints are on file with federal and state agencies, the prints he leaves at the scene will never match those that bear his name in the records. Like the rest of the world, police organizations are hell-bent on computerization; by now most fingerprint image reference banks are in the form of digitized data, to facilitate high-speed scanning and processing. Even more easily than hard files, electronic files can be manipulated, because the work can be done at a great distance; there is no need to burglarize highly secure facilities, when instead he can be a ghost haunting their machines from across a continent. Because of his intelligence, talents, and connections, he has been able to meddle with the data.
Wearing gloves, even thin surgical latex gloves, would be an intolerable barrier to sensation. He likes to let his hand glide lightly over the fine golden hairs on a woman’s thigh, take time to appreciate the texture of pebbled gooseflesh against his palm, to relish the fierce heat of skin and then, after, the warmth all fading, fading. When he kills, he finds it absolutely essential to feel the wetness.
The prints under his name in the various files are, in fact, those of a young marine named Bernard Petain, who died tragically during training maneuvers at Camp Pendleton many years ago. And the prints that he leaves at the scene, often etched in blood, cannot be matched to any on file with the military, the FBI, the Department of Motor Vehicles, or anywhere else.
He finishes buttoning the raincoat, turns up the collar, and looks at his hands. Stains under three fingernails. It might be grease or soil. No one will be suspicious of it.
He himself can smell the blood on his clothes even through the black nylon raincoat and insulated liner, but others are not sufficiently sensitive to detect it.
Staring at the residue under his nails, however, he can hear the screams again, that lovely music in the night, the Templeton house as reverberant as a concert hall, and no one to hear except him and the deaf vineyards.
If he is ever caught in the act, the authorities will print him again, discover his deception with the computers, and eventually link him to a long list of unsolved murders. But he isn’t concerned about that. He’ll never be taken alive, never be put on trial. Whatever they learn about his activities after his death will only add to the glory of his name.
He is Edgler Foreman Vess. From the letters of his name, one can extract a long list of power words: GOD, FEAR, DEMON, SAVE, RAGE, ANGER, DRAGON, FORGE, SEED, SEMEN, FREE, and others. Also words with a mystical quality: DREAM, VESSEL, LORE, FOREVER, MARVEL. Sometimes the last thing that he whispers to a victim is a sentence composed from this list of words. One that he especially likes and uses often is GOD FEARS ME.
Anyway, all questions of fingerprints and other evidence are moot, because he will never be caught. He is thirty-three years old. He has been enjoying himself in this fashion for a long time, and he has never had a close call.
Now he takes the pistol out of the open console between the pilot’s and copilot’s chairs. A Heckler & Koch P7.
Earlier, he had reloaded the thirteen-round magazine. Now he unscrews the sound suppressor, because he has no plans to visit other houses this night. Besides, the baffles are probably damaged from the shots that he has fired, diminishing both the effect of the silencer and the accuracy of the weapon.
Occasionally he daydreams about what it would be like if the impossible happened, if he were interrupted at play and surrounded by a SWAT team. With his experience and knowledge, the ensuing showdown would be thrillingly intense.
If there is a single secret behind the success of Edgler Vess, it is his belief that no twist of fate is either good or bad, that no experience is qualitatively better than another. Winning twenty million dollars in the lottery is no more to be desired than being trapped by a SWAT team, and a shootout with the authorities is no more to be dreaded than winning all that money. The value of any experience isn’t in its positive or negative effect on his life but in the sheer luminous power of it, the vividness, the ferocity, the amount and degree of pure sensation that it provides. Intensity.