INTENSITY

Now she clutched this pathetic weapon and prayed that the killer would finish whatever he was doing—maybe looting the cash register and just, for God’s sake, get out of here. She didn’t want to have to go up against him with a Bic butane. If he stumbled onto her, she might be able to take advantage of his surprise, thrust the lighter in his face, and give him a nasty little burn—or even set his hair on fire—before he recoiled. More likely, his reflexes would be uncannily quick; he’d knock the lighter out of her hand before she could do any damage.

Even if she burned him, she would gain only precious seconds to turn and flee. Hurting, he would come after her, and with his long legs, he would be swift. Then the outcome of the race would depend on whether her terror or his insane rage was the greater motivating force.

She heard movement, the creak of the counter gate, footsteps. Half nauseated from protracted fear, she was gloriously heartened when it seemed that he was leaving.

Then she realized that the footsteps were not crossing toward the door at the front of the store. They were approaching her.

She was squatting on her haunches, back pressed to the end panel of the shelf row, not immediately sure where he was. In the first of the three aisles, toward the front of the store? In the center aisle immediately to her left?

No.

The third aisle.

To her right.

He was coming past the coolers. Not fast. Not as if he knew that she was here and intended to whack her.

Rising into a crouch but staying low, Chyna eased to the left, into the middle of the three passages. Here the glow from the coolers, one row removed, bounced off the acoustic-tile ceiling but provided little illumination. All the merchandise was shelved with shadows.

She started forward toward the cashiers’ counter, thankful for her soft-soled shoes—and then she remembered the packaging from which she had extracted the Bic lighter. She’d left it on the floor where she’d been squatting at the end of the shelf row.

He would see it, probably even step on it. Maybe he would think that earlier in the night some shoplifter had slipped the lighter out of the packaging to conceal it more easily in a pocket. Or maybe he would know.

Intuition might serve him as well as it sometimes served Chyna. If intuition was the whisper of God, then perhaps another and less benevolent god spoke with equal subtleness to a man like this.

She turned back, leaned around the corner, and snatched up the empty package. The stiff plastic crinkled in her shaky grip, but the sound was faint and, luckily, masked by his footsteps.

He was at least halfway down the third aisle by the time she started forward along the second. But he was taking his time while she was scuttling as fast as she could, and she reached the head of her aisle before he arrived at the end of his.

At the terminus of the shelf row, instead of a flat panel like the one at the far end, there was a freestanding wire carousel rack holding paperback books, and Chyna nearly collided with it when she turned the corner. She caught herself just in time, slipped around the rack, and sheltered against it, between aisles once more.

On the floor lay a Polaroid photograph: a close-up of a strikingly beautiful girl of about sixteen, with long platinum-blond hair. The teenager’s features were composed but not relaxed, frozen in a studied blandness, as though her true feelings were so explosive that she would self-destruct if she acknowledged them. Her eyes subtly belied her calm demeanor; they were slightly wide, watchful, achingly expressive, windows on a soul in torment, full of anger and fear and desperation.

This must be the photograph that he had shown to the clerks.

Ariel. The girl in the cellar.

Although she and Ariel bore no resemblance to each other, Chyna felt as though she were staring into a mirror rather than looking at a picture. In Ariel, she recognized a terror akin to the fear that had suffused her own childhood, a familiar desperation, loneliness as deep as a cold polar ocean.

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