Thomas Hudson had studied tropical storms for many years and he could tell from the sky when there was a tropical disturbance long before his barometer showed its presence. He knew how to plot storms and the precautions that should be taken against them. He knew too what it was to live through a hurricane with the other people of the island and the bond that the hurricane made between all people who had been through it. He also knew that hurricanes could be so bad that nothing could live through them. He always thought, though, that if there was ever one that bad he would like to be there for it and go with the house if she went.
The house felt almost as much like a ship as a house. Placed there to ride out storms, it was built into the island as though it were a part of it; but you saw the sea from all the windows and there was good cross ventilation so that you slept cool on the hottest nights. The house was painted white to be cool in the summer and it could be seen from a long way out in the Gulf Stream. It was the highest thing on the island except for the long planting of tall casuarina trees that were the first thing you saw as you raised the island out of the sea. Soon after you saw the dark blur of casuarina trees above the line of the sea, you would see the white bulk of the house. Then, as you came closer, you raised the whole length of the island with the coconut palms, the clapboarded houses, the white line of the beach, and the green of the South Island stretching beyond it. Thomas Hudson never saw the house, there on that island, but that the sight of her made him happy. He always thought of the house as her exactly as he would have thought of a ship. In the winter, when the northers blew and it was really cold, the house was warm and comfortable because it had the only fireplace on the island. It was a big open fireplace and Thomas Hudson burned driftwood in it.
He had a big pile of driftwood stacked against the south wall of the house. It was whitened by the sun and sand-scoured by the wind and he would become fond of different pieces so that he would hate to burn them. But there was always more driftwood along the beach after the big storms and he found it was fun to burn even the pieces he was fond of. He knew the sea would sculpt more, and on a cold night he would sit in the big chair in front of the fire, reading by the lamp that stood on the heavy plank table and look up while he was reading to hear the northwester blowing outside and the crashing of the surf and watch the great, bleached pieces of driftwood burning.
Sometimes he would put the lamp out and lie on the rug on the floor and watch the edges of color that the sea salt and the sand in the wood made in the flame as they burned. On the floor his eyes were even with the line of the burning wood and he could see the line of the flame when it left the wood and it made him both sad and happy. All wood that burned affected him in this way. But burning driftwood did something to him that he could not define. He thought that it was probably wrong to burn it when he was so fond of it; but he felt no guilt about it.
As he lay on the floor he felt under the wind although, really, the wind whipped at the lower corners of the house and at the lowest grass on the island and into the roots of the sea grass and the cockleburs and into the sand itself. On the floor he could feel the pounding of the surf the way he remembered feeling the firing of heavy guns when he had lain on the earth close by some battery a long time ago when he had been a boy.