The instrumentalists returned and the choir joined them in a few more numbers. There was another pause when they departed and then a steady, muted drum roll. The curtain rose to reveal subdued lighting. As the choir started to sing the song of the Afrika Korps from the side of the stage, Rommel walked on. And it was quite unmistakably he. The cap with the desert goggles, the white scarf carelessly knotted at the neck, the old leather greatcoat, the field marshal’s baton in one gloved hand, the other arrogantly on the hip. The voice, when he spoke, was perfect as he delivered a few lines of his famous battlefield speech before El Alamein.
“I know 1 haven’t offered you much. Sand, heat and scorpions, but weVe shared them together. One more push and it’s Cairo, and if we fail… well, we tried-together.”
There was total silence from the body of the hall as Colonel Haider glanced anxiously at Rommel. “Field Marshal, I hope you’re not offended.”
“Offended? I think he’s marvelous,” Rommel said and jumped to his feet. “Bravo!” he called and started to clap and behind him, the entire audience joined in with the chorus of the Afrika Korps song, cheering wildly.
In the makeshift dressing room next to the kitchen, Erich Berger slumped into a chair and stared at himself in the mirror. His heart was beating and he was sweating. A hell of a thing for any actor to perform in front of the man he was taking off, and such a man. A name to conjure with. The most popular soldier in Germany.
“Not bad, Heini,” he said softly. “Mazel tov.” He took a bottle of schnapps from the drawer, drew the cork and swallowed some.
A Yiddish phrase on the lips of a corporal in a German Fallschirmjager regiment might have seemed strange to anyone who had overheard. His secret was that he wasn’t Erich Berger at all, but Heini Baum, Jewish actor and cabaret performer from Berlin and proud of it.
His story was surprisingly simple. He had performed with success in cabaret all over Europe. He had never married. To be frank, his inclinations ran more toward men than women. He had persisted in living in Berlin, even as the Nazis came to power, because his aging parents had always lived there and would not believe that anything terrible could ever happen. Which it did, of course, though not for a long time. As an entertainer, Baum was of use to the Reich. He still had to wear his Star of David on his coat, but a series of special permits kept him afloat and his parents with him, while all around them their friends were taken away.
And then there was the fateful night in 1940 when he had arrived at the end of his street, coming home from cabaret, in time to see the Gestapo taking his mother and father from their house. He had turned and run, like the coward he was, pausing only in a side street to tear the Star of David from his coat. He was forty-four years of age and looked ten years younger on a good day. Nowhere to go, for his papers told the world he was a Jew.
So, he’d caught a train to Kiel with the wild idea that he might be able to get a ship from there to somewhere- anywhere. He’d arrived just after one of the first of the devastating RAF raids on that city, had stumbled through the chaos and flames of the city center, searching for shelter as the RAF came back for a second go. Lurching down into a cellar, he’d found a man and a woman and a twelve-year-old girl dead, all from the same family he learned when he examined their identity cards. Erich Berger, his wife and daughter. And one thing more. In Berger’s pocket were his call-up papers, ordering him to report the following week.
What better hiding place could a Jew who was afraid to be a Jew find? Sure, he was ten years older than Berger, but it wouldn’t show. To change the photos on the two identity cards was simple enough so that the body he dragged out to leave in the rubble of the street to be found later was that of Heini Baum, Jew of Berlin. It had been necessary to obliterate most of the dead man’s face with a brick, just to help things along, but after what he’d been through that part was easy.