James P Hogan. Inherit The Stars. Giant Series #1

screens came to life to show the title sheet of a file, marked

obliquely with the word RESTRICTED in red. This disappeared to be

replaced by a contour map of what looked like a rugged and broken

stretch of terrain. A slowly pulsing point of light appeared in the

center of the picture and began moving across the map as Caldwell

rotated a tracker ball set into the panel that held the keyboard.

The light halted at a point where the contours indicated the

junction of a steep-sided cleft valley with a wider gorge. The

cleft valley was narrow and seemed to branch off from the gorge in

a rising curve.

“This map shows the area in question,” the director resumed. “The

cursor shows where a minor cleft joins the main fault running down

toward the left. The survey boys left their vehicle at this point

and proceeded on up to the cleft on foot, looking for a way to the

top of that large rock mass-the one tagged ‘five sixty.” As

Caidwell spoke, the pulsing light moved slowly along between the

minor sets of contours, tracing out the path taken by the UN team.

They watched it negotiate the bend above the mouth of the cleft and

proceed some distance farther. The light approached the side of the

cleft and touched it at a place where the contours merged into a

single heavy line. There it stopped.

“Here the side was a sheer cliff about sixty feet high. That was

where they came across the first thing that was unusual-a hole in

the base of the rock wall. The sergeant leading the group described

it as being like a cave. That strike you as odd?”

Hunt raised his eyebrows and shrugged. “Caves don’t grow on moons,”

he said simply.

“Exactly.”

The screen now showed a photo view of the area, apparently taken

from the spot at which the survey vehicle had been parked. They

recognized the break in the wall of the gorge where the cleft

joined it. The cleft was higher up than had been obvious from the

map and was approached by a ramp of loose rubble. In the background

they could see a squat tower of rock flattened on top- presumably

the one marked “560” on the map. Caldwell allowed them some time to

reconcile the picture with the map before bringing up the second

frame. It showed a view taken high up, this time looking into the

mouth of the cleft. A series of shots then followed, progressing up

to and beyond the bend. “These are stills from a movie record,”

Caidwell commented. “I won’t bother with the whole set.” The final

frame in the sequence showed a hole in the rock about five feet

across.

“Holes like this aren’t unknown on the Moon,” CaIdwell remarked.

“But they are rare enough to prompt our men into taking a closer

look. The inside was a bit of a mess. There had been a

rockfall-maybe several falls; not much room-just a heap of rubble

and dust . . . at first sight, anyway.” A new picture on the screen

confirmed this statement. “But when they got to probing

around a bit more, they came across something that was really

unusual. Underneath they found a body-dead!”

The picture changed again to show another view of the interior,

taken from the same angie as the previous one. This time, however,

the subject was the top half of a human figure lying amid the

rubble and debris, apparently at the stage of being half uncovered.

It was clad in a spacesuit which, under the layer of gray-white

dust, appeared to be bright red. The helmet seemed intact, but it

was impossible to make out any details of the face behind the visor

because of the reflected camera light. Caldwell allowed them plenty

of time to study the picture and reflect on these facts before

speaking again.

“That is the body. I’ll answer some of the more obvious questions

before you ask. First-no, we don’t know who he is-or was- so we

call him Charlie. Second-no, we don’t know for sure what killed

him. Third-no, we don’t know where he came from.” The executive

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