She stopped herself.
Milo suppressed his own sick smile, knowing what had been coming. He’d kill me.
“He’d be unhappy,” she said, too emphatically. “I had no right to tell you, you’ve got me to say things I don’t mean.”
“Let’s leave it at this: Since Julie, Mr. Kipper’s changed.”
“No. Yes. Not just in that way. Mainly emotionally. He—he’s distant. It’s all part of the same thing.”
“Emotionally,” he said. Another shrink’s trick. Echoing.
She said, “Yes! Ev cared for Julie so much that he can’t put her out of his mind and . . . give himself over.”
She drew back her arm, hurled the remaining piece of pretzel across the plaza. More of an assault than altruism; pigeons scattered. The mustard-crusted dough rolled, teetered, came to a halt.
She said, “I knew about Julie when I started going with him.”
“Knew what?”
“That they still saw each other once in a while. I was cool with that. I figured it would fade. And Ev tried. He wanted to give himself to me, but . . .”
She blinked away tears, put on her sunglasses, showed Milo her profile.
“They kept seeing each other,” he said.
“It was nothing sneaky, Lieutenant. Ev was always open about it. It had always been part of the deal.” She turned abruptly, faced Milo, again. “Ev loved Julie so deeply that he couldn’t let go of her. There’s no way he would have done anything to hurt her, let alone kill her.”
He managed to keep her there for another fifteen minutes, shifted the topic to her work and learned she was a U. grad, working as a secretary while she studied, nights, for a Pepperdine MBA. Smart, with big plans.
Seeing herself and Kipper as a potential power couple in the financial world.
She gave him nothing more about Kipper and Julie. He handed her his card.
She said, “I really have nothing else to tell you.”
Figuring she’d toss it the moment he was gone, he left the plaza, amazed that someone so young and good-looking and bright would accept the contingencies Ev Kipper had saddled her with.
Probably something to do with her own upbringing, but that was Alex’s world. Back in his unmarked, he phoned Alex at home, recounted the interview.
Alex said, “I’m inclined to agree with her.”
“That level of passion? Julie and Kipper get divorced but nine years later Kipper can’t let go? His feelings for her are so intense that once she’s dead, he can’t get it up? Doesn’t all that imply an unhealthy emotional situation, Alex? Toss in Kipper’s temper—and now we know he acts out physically—and doesn’t that add up to an explosive situation? Like I told Cranner, domestic violence and homicide ain’t strangers.”
“I’m not saying Kipper couldn’t have lost it and gotten violent with Julie. But that’s not the crime scene we’ve got. Julie’s murder was thought-out, cold and calculated just like all the others. Stalking, an optimal kill site, the use of a preselected weapon, pseudosexual posing. If Kipper had done it, he wouldn’t have demeaned Julie. On the contrary, he’d have arranged her body in as dignified a manner as possible. The only thing that would get me to change my mind is some link between Kipper and Erna Murphy. Also, the same type of guitar string was used on Julie and Levitch. That would mean Kipper murdered Levitch to cover for Julie. And that sounds like a bad movie.”
“Life sometimes imitates bad art,” said Milo. “Why not? A well-dressed man like Kipper would blend in with the concert crowd at Szabo and Loh’s. And Julie and Levitch were the only ones the string was used on.”
“You have your doubts about the psychic-cannibal scenario? What about Faithful Scrivener? All those reviews of our victims.”
“Artistic types get reviewed . . . it’s not a matter of doubt, I’m exploring alternatives.”
“Okay,” said Alex.
“I’m sure you’re right. But Kipper being that freaked out over Julie bugs me. Not just the impotence but his defying the cops by hammering late at night. To me that says boundaries are loosening. I wouldn’t want to be Stephanie. I’m not sure she sees the danger.”