Jonathan Kellerman – Monster

A highway patrolman waved us on, but inertia slowed us to a snail slide. I turned on

KFWB. The accident was a big story: some sort of altercation between two motorists, a chase off the ramp, then an abrupt U-turn that took the pursuing vehicle the wrong way. Road rage, they were calling it. As if labeling changed anything.

It took over two hours to get back to L. A., and by the time I reached the Westside the skies had darkened to charcoal splotches underlaid with vermilion. Too late to drop in on an old woman. I bought gas at Sunset and La Brea and called Wanda Hatzler again.

This time, she answered. “Come on over, I’m expecting you.”

“You’re sure it’s not too late?”

“Don’t tell me you’re one of those morning people.”

“As a matter of fact, I’m not.”

“Good,” she said. “Morning people should be forced to milk cows.”

I called home to say I’d be late. Robin’s message said she’d be in Studio City till eight, doing some on-site repairs at a recording session. Synchrony of the hyperactive. I drove to Santa Monica.

Wanda Hatzler’s address was on Yale Street, south of Wilshire, a stucco bungalow behind a lawn of lavender, wild onions, thyme, and several species of cactus. An

alarm company sign protruded from the herbs, but no fence surrounded the property.

She was at the curb by the time I finished parking, a big woman-nearly six feet, with healthy shoulders and heavy limbs. Her hair was cut short. The color was hard to make out in the darkness.

“Dr. Delaware? Wanda Hatzler.” Brisk shake, rough hands. “I like your car-used to have a Fleetwood until Orton couldn’t drive anymore and I got tired of supporting the oil companies. Show me some identification just to play it safe, then come inside.”

Inside, her house was cramped, warm, bright, ash-paneled and filled with chairs covered in at least three variations of brown paisley cotton. Georgia O’Keeffe prints hung on the walls, along with some muddy-looking California plein-air oils.

An open doorway peeked into the kitchen, where soft dolls were arranged on the counter-children in all sorts of native costumes propped up sitting, a tiny stuffed kindergarten. Old white two-burner stove. A saucepan sat above dancing blue flames, and a childhood memory hit me: the cold-afternoon fragrance of canned vegetable soup. I tried not to think of Peake’s culinary forays.

Wanda Hatzler closed the door and said, “Go on, make yourself comfortable.”

I sat in a paisley armchair and she stood there. She wore a deep green V-neck pullover over a white turtleneck, loose gray pants, brown slip-on shoes. The hair was black well salted with silver. She could’ve been anywhere from seventy to eighty-five. Her face was broad, basset-hound droopy, crumpled as used wrapping paper. Moist blue-green eyes seemed to have suction power over mine. She wasn’t smiling but I sensed some sort of amusement.

“Something to drink? Coke, Diet Coke, hundred-proof rum?”

“I’m fine, thanks.”

“What about soup? I’m going to have some.”

“No, thanks.”

“Tough customer.” She went into the kitchen, filled a mug, came back and sat down, blew into the soup, and drank. “Treadway, what a hole. Why on earth would you want to know anything about it?”

I told her about Claire and Peake, emphasizing a therapeutic relationship gone bad, keeping prophecy out of it, omitting the other murders.

She put the mug down. “Peake? I always thought he was retarded. Wouldn’t have pegged him for violence, so what do I know? The only psychology I ever studied was an introductory course at Sarah Lawrence back in another century.”

“I’ll bet you know plenty.”

She smiled. “Why? Because I’m old? Don’t blush, I am old.” She touched one seamed cheek. “The truth is in the flesh. Didn’t Samuel Butler say that? Or maybe I made it up. Anyway, I’m afraid I can’t give you any ideas on Peake. Never had a feel for him. Now you’re going to leave. Too bad. You’re good-looking and I was looking forward to this.”

“To talking about Treadway?”

“To maligning Treadway.”

“How long did you live there?”

“Too long. Never could stand the place. At the time of the murders, I was working in

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