Kay, Guy Gavriel – Sarantine Mosaic 01 – Sailing to Sarantium

There was a great deal to be done. He was here for a reason, after all. He flexed his hand. It was puffy, but that would be all right. He thanked Jad for the instinct that had led him to use his left fist. A mosaicist’s good hand was his life.

On the way out he paused by the marble counter in the foyer. On sheerest impulse he asked the attendant there about an address he’d been given a long time ago. It turned out to be close by. For some reason he’d thought it might be. This was a good neighbourhood.

Crispin elected to make a call. A duty visit. Get it done with, he told himself, before work began to consume him, the way it always did. Rub­bing his smooth chin, he walked out of the baths into the late-afternoon sunshine.

Two grim soldiers striding purposefully behind him, Caius Crispus of Varena followed the given directions towards the house and street name he’d had handed to him on a torn-off piece of parchment in a farmhouse near Varena. Eventually, turning off a handsome square and then into a wide street with well-made stone houses on either side, he ascended the steps of a covered portico and knocked firmly at the door with his good hand.

He hadn’t decided what he would-or could-say here. There might be some awkwardness. Waiting for a servant to answer, Crispin looked about. On a marble plinth by the door stood a bust of the Blessed Vic­tim Eladia, guardian of maidens. Given what he had heard before, he suspected it was meant ironically here. The street was quiet; he and the two soldiers were the only figures to be seen, save for a young boy grooming a mare tethered placidly nearby. The row houses here looked cared for and comfortably prosperous. There were torches set in the front walls and on the porticos, promising the security of light after darkfall.

It was possible, standing amid these smooth facades, to envisage an infinitely calmer life in Sarantium than the violent intricacies he had dis­covered so far. Crispin found himself picturing delicately hued frescoes within proportioned rooms, ivory, alabaster, well-turned wooden stools and chests and benches, good wine, candles in silver holders, perhaps a treasured manuscript of the Ancients to read by a fire in winter or in the peace of a courtyard among summer flowers and droning bees. The accoutrements of a civilized life in the city that was the centre of the world behind its triple walls and guarded by the sea. The black forests of Sauradia seemed infinitely far away.

The door opened.

He turned, preparing to give his name and have himself announced. He saw the slender figure of a woman dressed in crimson on the thresh­old, dark-haired, dark-eyed, small-boned. He had just enough time to note this much and realize this was not a servant before the woman cried out and hurled herself into his arms, kissing him with a hungry passion. Her hands clenched in his hair, pulling him down to her. Before he could react in any cogent way at all, while the two soldiers were gaping slack-jawed at them, her mouth moved to his ear. Crispin felt her tongue, then heard her whisper fiercely: ‘In Jad’s name, pretend we are lovers, I beg of you! You will not regret it, I promise!’

‘ What are you doing?’ Crispin heard a stunningly familiar voice say from nowhere he could have placed. His heart lurched. He gasped in shock, then the woman’s mouth covered his own again. His good hand came up-obedient or involuntary, he couldn’t have said-and held her as she kissed him like a lost love regained.

‘Oh, no!’ he heard within: a terribly known voice, but a new, lugubri­ous tone. ‘No, no, no! This will never work! You’ll get him beaten or killed, whoever he is.’

At which point someone, standing in the front hallway of the house behind the woman in Crispin’s arms, cleared his throat.

The woman in the red, knee-length tunic detached herself as if with anguished reluctance, and as she did Crispin received another shock: he realized belatedly that he knew her scent. It was the perfume only one woman in the City was said to be allowed to use. And this woman was not, manifestly, the Empress Alixana.

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