Kay, Guy Gavriel – Sarantine Mosaic 01 – Sailing to Sarantium

It seemed that Zoticus, the alchemist, much consulted by farmers, the childless and the lovelorn, and even royalty on occasion, dwelled in the selfsame substantial farmhouse with an attached apple orchard where an eight-year-old boy had heard birds discussing with well-bred anticipa­tion the consumption of his eyeballs and brain matter.

‘I will send to tell him to expect you,’ Martinian had said with firm­ness. ‘He knows more useful things than any man I know, and you are a fool if you undertake a journey like this without first speaking with Zoti­cus. Besides, he makes wonderful herbal infusions.’ ‘I don’t like herbal infusions.’

‘Crispin,’ Martinian had said warningly. And had given directions. And so here he was, cloaked against the wind, pacing alongside the rough stones of the wall, booted feet tracing the vanished, long-ago bare footsteps of a child who had gone out from the city alone one summer’s day to escape the sorrow in his house.

He was alone now, too. Birds flitted from branch to bough on both sides of the road. He watched them. The hawk was gone. A brown hare, too exposed, made swift, deliberately jerky progress across the field on his left. A cloud swept across the sun and its elongated shadow raced over the same field. The hare froze when the shadow reached it and then hur­tled erratically forward again as light returned. On the other side of the road the wall marched beside him, well built, well maintained, of heavy grey stones. Ahead, he could see the gateway to he farmyard, a marker stone opposite it. Unused though it now was, this had been a road laid down in the great days of the Rhodian Empire. In no great distance-a morning’s steady walking-it met the high road that ran all the way to Rhodias itself and beyond, to the southern sea at the end of the peninsula. As a child, Crispin used to enjoy the sensation of being on the same road as someone gazing into those distant ocean waters.

He stopped for a moment, looking at the wall. He had climbed it eas­ily that morning long ago. There were still apples in the trees beyond. Crispin pursed his lips, weighing a thought. This was not a time to be duelling with childhood memories, he told himself sternly, repressively. He was a grown man, a respected, well-known artisan, a widower. Sail­ing to Sarantium.

With a small, resolute shrug of his shoulders, Crispin dropped the pack­age he was carrying-a gift from Martinian’s wife for the alchemist-onto the brown grass beside the path. Then he stepped across the small ditch, pushed a hand through his hair, and proceeded to climb the wall again.

Not all skills were lost to the years, and it seemed he wasn’t so old after all. Pleased with his own agility, he swung one knee up, then the other, stood on the wide, uneven top of the wall, balanced, and then stepped–only boys leaped-across to a good branch. He found a comfortable spot, sat down and, pausing to be judicious, reached up and picked an apple.

He was surprised to find his heart was racing.

He knew that if they saw this, his mother and Martinian and half a dozen others would be performing a collective rueful headshake like the Chorus in one of those seldom-performed tragedies of the ancient Trakesian poets. Everyone said Crispin did things merely because he knew that he shouldn’t do them. A perversity of behaviour, his mother called it.

Perhaps. He didn’t think so, himself. The apple was ripe. Tasty, he decided.

He dropped it onto the grass among fallen ones for the small animals and stood up to cross back to the wall. No need to be greedy or child­ish. He’d proven his point, felt curiously pleased with himself. Settled a score with his youth, in a way.

‘Some people never learn, do they?’

One foot on a branch, one on top of the wall, Crispin looked down very quickly. Not a bird, not an animal, not a spirit of the half-world of air and shadow. A man with a full beard and unfashionably long grey hair stood in the orchard below, gazing up at him, leaning on a staff, fore­shortened by the angle.

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