Kay, Guy Gavriel – Sarantine Mosaic 01 – Sailing to Sarantium

‘I’m sure he does. I know that kind of man. All for a price.’

Absently, Crispin nodded his agreement with the bird and then col­lected himself. He began to dress. Dry clothes from the satchel they had brought up for him. His wet outer garments had been left to dry by a downstairs fire.

‘Quiet, Linon. I’m thinking!’

‘May all the powers gather to protect us!’

It had grown gradually easier to ignore this sort of thing over the past little while. Something in Linon was peculiar today, however. Crispin put that away for later, along with the rather deeper question of why he was involving himself in this. Slaves died all over the Empire every day, were abused, whipped, sold-made into sausages. Crispin shook his head: was he really so simple that the ridiculous association of a terrified girl with his daughter was drawing him into a world that had no safe place for him at all? Another hard question. For later.

Back in the days when he still enjoyed things, Crispin had always had a puzzle-solving mind. In work, in play. Designing a wall mosaic, gam­bling at his bathhouse. Now, as he dressed quickly in the twilight chill, he found himself engaged in slotting pieces of information like tesserae within his mind to make a picture. He turned it, tilted it like glass to catch angles of light.

‘What will they do to her?’ He asked it impulsively.

Linon was still for so long this time he thought the bird was ignoring him. He put on his sandals, waiting. The voice in his mind when it came was cold, uninflected, unlike anything he had heard before from her.

‘She will have the juice of poppies in the morning, with whatever she drinks. She will be given to whoever comes for her. From the village, probably. They will take her away. Sometimes they mate them with an animal, for the sake of the fields and the hunters, sometimes the men do it themselves, one after another. They wear masks then, of animals. After, a priest of Ludan cuts out her heart. He may be a smith, a baker in the village. The innkeeper downstairs. We would not know. it is considered a good omen if she lives until the heart is removed. It is buried in the fields. They peel her skin from her and bum it, as the dross of life. Then she is hanged by her hair from the holy oak at the moment the sun sets, for Ludan to take as his own.’

‘Holy Jad! You can’t be-‘

‘Be silent! Imbecile! I told you, you were better off not knowing!’

The girl had looked up, startled. Crispin glared at her and her glance instantly dropped away, a different sort of fear in her now.

Sickened, unbelieving, Crispin began worrying the puzzle again with a part of his mind, struggling for calm. Turning pieces of glass to find the light. Even a dim, precarious light, like candles in a breeze or a slant of winter sun through an arrow slit.

‘I can’t let them do this to her,’ he said inwardly to Linon.

‘Ah! Let sound the soldiers’ drums! Cams Crispus of Varena, bold hero of a later age! You can’t? I don’t see why not. They will only find someone else. And kill you for trying to interfere. Who are you, artisan, to step between a god and his sacrifice?’

Crispin had finished dressing. He sat down on the bed again. It creaked.

‘I don’t know how to answer that.’

‘Of course you don’t,’ said Linon.

The girl whispered, ‘My lord. I will do anything you like, always.’

‘What else does a slave do?’ he snapped, distracted. She flinched, as if struck. He drew a breath.

‘I need your help,’ he said again to the bird. The puzzle had taken a shape, poor though it might be. He rocked back and forth a little, creaking the bed. ‘Here’s what I want to happen . . .’

A few moments later he explained to the girl what steps she, in her turn, had to take if she wanted to live through the day to come. He made it sound as if he knew what he was doing. What became almost intoler­able was the look that entered her eyes as he spoke and she understood that he was going to try to save her. She wanted to survive, so much. It burned in her, this desire to live.

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