Ken Follett – Jackdaws

The long north side of the church building formed part of the wall surrounding the chƒteau’s grounds. The north transept jutted a few feet into the parking lot that had once been part of the ornamental garden. In the days of the ancien r‚gime, the comte had had his own personal entrance to the church, a little door in the transept wall. The doorway had been boarded up and plastered over more than a hundred years ago, and had remained that way until today.

An hour ago, a retired quarryman called Gaston had entered the empty church and carefully placed four half-pound sticks of yellow plastic explosive at the foot of the blocked doorway. He had inserted detonators, connected them together so that they would all go off at the same instant, and added a five-second fuse ignited by a thumb plunger. Then he had smeared everything with ash from his kitchen fire to make it inconspicuous and moved an old wooden bench in front of the doorway for additional concealment. Satisfied with his handiwork, he had knelt down to pray.

When the church bell had stopped ringing a few seconds ago, Gaston had got up from his pew, walked a few paces from the nave into the transept, depressed the plunger, and ducked quickly back around the corner. The blast must have shaken centuries of dust from the Gothic arches. But the transept was not occupied during services, so no one would have been injured.

After the boom of the explosion, there was a long moment of silence in the square. Everyone froze: the guards at the chƒteau gate, the sentries patrolling the fence, the Gestapo major, and the well-dressed German with the glamorous mistress. Flick, taut with apprehension, looked across the square and through the iron railings into the grounds. In the parking lot was a relic of the seventeenth-century garden, a stone fountain with three mossy cherubs sporting where jets of water had once flowed. Around the dry marble bowl were parked a truck, an armored car, a Mercedes sedan painted the gray-green of the German army, and two black Citro‰ns of the Traction Avant type favored by the Gestapo in France. A soldier was filling the tank of one of the Citro‰ns, using a gas pump that stood incongruously in front of a tall chƒteau window. For a few seconds, nothing moved. Flick waited, holding her breath.

Among the congregation in the church were ten armed men. The priest, who was not a sympathizer and therefore had no warning, must have been pleased that so many people had shown up for the evening service, which was not normally very popular. He might have wondered why some of them wore topcoats, despite the warm weather, but after four years of austerity lots of people wore odd clothes, and a man might wear a raincoat to church because he had no jacket. By now, Flick hoped, the priest understood it all. At this moment, the ten would be leaping from their seats, pulling out their guns, and rushing through the brand-new hole in the wall.

At last they came into view around the end of the church. Flick’s heart leaped with pride and fear when she saw them, a motley army in old caps and worn-out shoes, running across the parking lot toward the grand entrance of the chƒteau, feet pounding the dusty soil, clutching their assorted weapons-pistols, revolvers, rifles, and one submachine gun. They had not yet begun firing them, for they were trying to get as close as possible to the building before the shooting started.

Michel saw them at the same time. He made a noise between a grunt and a sigh, and Flick knew he felt the same mixture of pride at their bravery and fear for their lives. Now was the moment to distract the guards. Michel raised his rifle, a Lee-Enfield No.4 Mark I, the kind the Resistance called a Canadian Rifle, because many of them were made in Canada. He drew a bead, took up the slack of the two-stage trigger, then fired. He worked the bolt action with a practiced movement so that the weapon was immediately ready to be fired again.

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