LEE CHILD. KILLING FLOOR

Stevenson still stared at me as the car slowed to yaw into the approach to the station house. A wide semicircle of driveway. I read on a low masonry sign: Margrave Police Headquarters. I thought: should I be worried? I was under arrest. In a town where I’d never been before. Apparently for murder. But I knew two things. First, they couldn’t prove something had happened if it hadn’t happened. And second, I hadn’t killed anybody.

Not in their town, and not for a long time, anyway.

TWO

We pulled up at the doors of the long low building. Baker got out of the car and looked up and down along the frontage. The backup guys stood by. Stevenson walked around the back of our car. Took up a position opposite Baker. Pointed the shotgun at me. This was a good team. Baker opened my door.

`OK, let’s go, let’s go,’ he said. Almost a whisper.

He was bouncing on the balls of his feet, scanning the area. I pivoted slowly and twisted out of the car. The handcuffs didn’t help. Even hotter now. I stepped forward and waited. The backup fell in behind me. Ahead of me was the station house entrance. There was a long marble lintel crisply engraved: Town of Margrave Police Headquarters. Below it were plate-glass doors. Baker pulled one open. It sucked against rubber seals. The backup pushed me through. The door sucked shut behind me.

Inside it was cool again. Everything was white and chrome. Lights were fluorescent. It looked like

a bank or an insurance office. There was carpet. A desk sergeant stood behind a long reception counter. The way the place looked, he should have said: how may I help you, sir? But he said nothing. He just looked at me. Behind him was a huge openplan space. A dark-haired woman in uniform was sitting at a wide, low desk. She had been doing paperwork on a keyboard. Now she was looking at me. I stood there, an officer on each elbow. Stevenson was backed up against the reception counter. His shotgun was pointed at me. Baker stood there, looking at me. The desk sergeant and the woman in uniform were looking at me. I looked back at them.

Then I was walked to the left. They stopped me in front of a door. Baker swung it open and I was pushed into a room. It was an interview facility. No windows. A white table and three chairs. Carpet. In the top corner of the room, a camera. The air in the room was set very cold. I was still wet from the rain.

I stood there and Baker ferreted into every pocket. My belongings made a small pile on the table. A roll of cash. Some coins. Receipts, tickets, scraps. Baker checked the newspaper and left it in my pocket. Glanced at my watch and left it on my wrist. He wasn’t interested in those things. Everything else was swept into a large Ziplock bag. A bag made for people with more in their pockets than I carry. The bag had a white panel printed on it. Stevenson wrote some kind of a number on the panel.

Baker told me to sit down. Then they all left the room. Stevenson carried the bag with my stuff in it. They went out and closed the door and I heard the lock turning. It had a heavy, well-greased sound.

The sound of precision. The sound of a big steel lock. Sounded like a lock that would keep me in.

I figured they would leave me isolated for a while. It usually happens that way. Isolation causes an urge to talk. An urge to talk can become an urge to confess. A brutal arrest followed by an hour’s isolation is pretty good strategy.

But I figured wrong. They hadn’t planned an hour’s isolation. Maybe their second slight tactical mistake. Baker unlocked the door and stepped back in. He carried a plastic cup of coffee. Then he signalled the uniformed woman into the room. The one I’d seen at her desk in the open area. The heavy lock clicked behind her. She carried a metal flight case which she set on the table. She clicked it open and took out a long black number holder. In it were white plastic numbers.

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