“This.” And Mr. Bhaer took a little worn paper out of his waistcoat pocket.
Jo unfolded it, and looked much abashed, for it was one of her own contributions to a paper that paid for poetry, which accounted for her sending it an occasional attempt.
“How could that bring you?” she asked, wondering what he meant.
“I found it by chance. I knew it by the names and the initials, and in it there was one little verse that seemed to call me. Read and find him. I will see that you go not in the wet.”
IN THE GARRET
Four little chests all in a row, Dim with dust, and worn by time, All fashioned and filled, long ago, By children now in their prime. Four little keys hung side by side, With faded ribbons, brave and gay When fastened there, with childish pride, Long ago, on a rainy day. Four little names, one on each lid, Carved out by a boyish hand, And underneath there lieth hid Histories of the happy band Once playing here, and pausing oft To hear the sweet refrain, That came and went on the roof aloft, In the falling summer rain.
“Meg” on the first lid, smooth and fair. I look in with loving eyes, For folded here, with well-known care, A goodly gathering lies, The record of a peaceful life — mdash; Gifts to gentle child and girl, A bridal gown, lines to a wife, A tiny shoe, a baby curl. No toys in this first chest remain, For all are carried away, In their old age, to join again In another small Meg’s play. Ah, happy mother! Well I know You hear, like a sweet refrain, Lullabies ever soft and low In the falling summer rain.
“Jo” on the next lid, scratched and worn, And within a motley store Of headless, dolls, of schoolbooks torn, Birds and beasts that speak no more, Spoils brought home from the fairy ground Only trod by youthful feet, Dreams of a future never found, Memories of a past still sweet, Half-writ poems, stories wild, April letters, warm and cold, Diaries of a wilful child, Hints of a woman early old, A woman in a lonely home, Hearing, like a sad refrain — mdash; “Be worthy, love, and love will come,” In the falling summer rain.
My Beth! the dust is always swept From the lid that bears your name, As if by loving eyes that wept, By careful hands that often came. Death cannonized for us one saint, Ever less human than divine, And still we lay, with tender plaint, Relics in this household shrine — mdash; The silver bell, so seldom rung, The little cap which last she wore, The fair, dead Catherine that hung By angels borne above her door. The songs she sang, without lament, In her prison-house of pain, Forever are they sweetly blent With the falling summer rain.
Upon the last lid’s polished field — mdash; Legend now both fair and true A gallant knight bears on his shield, “Amy” in letters gold and blue. Within lie snoods that bound her hair, Slippers that have danced their last, Faded flowers laid by with care, Fans whose airy toils are past, Gay valentines, all ardent flames, Trifles that have borne their part In girlish hopes and fears and shames, The record of a maiden heart Now learning fairer, truer spells, Hearing, like a blithe refrain, The silver sound of bridal bells In the falling summer rain.
Four little chests all in a row, Dim with dust, and worn by time, Four women, taught by weal and woe To love and labor in their prime. Four sisters, parted for an hour, None lost, one only gone before, Made by love’s immortal power, Nearest and dearest evermore. Oh, when these hidden stores of ours Lie open to the Father’s sight, May they be rich in golden hours, Deeds that show fairer for the light, Lives whose brave music long shall ring, Like a spirit-stirring strain, Souls that shall gladly soar and sing In the long sunshine after rain.
“It’s very bad poetry, but I felt it when I wrote it, one day when I was very lonely, and had a good cry on a rag bag. I never thought it would go where it could tell tales,” said Jo, tearing up the verses the Professor had treasured so long.