Little women. Part two by Alcott, Louisa May

It was a lively scene, for soon the spirit of the social season took possession of everyone, and Christmas merriment made all faces shine, hearts happy, and heels light. The musicians fiddled, tooted, and banged as if they enjoyed it, everybody danced who could, and those who couldn’t admired their neighbors with uncommon warmth. The air was dark with Davises, and many Jones gamboled like a flock of young giraffes. The golden secretary darted through the room like a meteor with a dashing frenchwoman who carped the floor with her pink satin train. The serene Teuton found the supper table and was happy, eating steadily through the bill of fare, and dismayed the garзons by the ravages he committed. But the Emperor’s friend covered himself with glory, for he danced everything, whether he knew it or not, and introduced impromptu pirouettes when the figures bewildered him. The boyish abandon of that stout man was charming to behold, for though he `carried weight’, he danced like an India-rubber ball. He ran, he flew, he pranced, his face glowed, his bald head shown, his coattails waved wildly, his pumps actually twinkled in the air, and when the music stopped, he wiped the drops from his brow, and beamed upon his fellow men like a French Pickwick without glasses.

Amy and her Pole distinguished themselves by equal enthusiasm but more graceful agility, and Laurie found himself involuntarily keeping time to the rhythmic rise and fall of the white slippers as they flew by as indefatigably as if winged. When little Vladimir finally relinquished her, with assurances that he was `desolated to leave so early’, she was ready to rest, and see how her recreant knight had borne his punishment.

It had been successful, for at three-and-twenty, blighted affections find a balm in friendly society, and young nerves will thrill, young blood dance, and healthy young spirits rise, when subjected to the enchantment of beauty, light, music, and motion. Laurie had a waked-up look as he rose to give her his seat, and when he hurried away to bring her some supper, she said to herself, with a satisfied smile, “Ah, I thought that would do him good!”

“You look like Balzac’s `FEMME PEINTE PAR ELLE-NENE’,” he said, as he fanned her with one hand and held her coffee cup in the other.

“My rouge won’t come off.” And Amy rubbed her brilliant cheek, and showed him her white glove with a sober simplicity that made him laugh outright.

“What do you call this stuff?” he asked, touching a fold of her dress that had blown over his knee.

“Illusion.”

“Good name for it. It’s very pretty — mdash; new thing, isn’t it?”

“It’s as old as the hills. You have seen it on dozens of girls, and you never found out that it was pretty till now? Stupide!”

“I never saw it on you before, which accounts for the mistake, you see.”

“None of that, it is forbidden. I’d rather take coffee than compliments just now. No, don’t lounge, it makes me nervous.”

Laurie sat bold upright, and meekly took her empty plate feeling an odd sort of pleasure in having `little Amy’ order him about, for she had lost her shyness now, and felt an irresistible desire to trample on him, as girls have a delightful way of doing when lords of creation show any signs of subjection.

“Where did you learn all this sort of thing?” he asked with a quizzical look.

“As `this sort of thing’ is rather a vague expression, would you kindly explain?” returned Amy, knowing perfectly well what he meant, but wickedly leaving him to describe what is indescribable.

“Well — mdash; the general air, the style, the self-possession, the — mdash; the — mdash; illusion — mdash; you know”, laughed Laurie, breaking down and helping himself out of his quandary with the new word.

Amy was gratified, but of course didn’t show it, and demurely answered, “Foreign life polishes one in spite of one’s self. I study as well as play, and as for this” — mdash; with a little gesture toward her dress — mdash; “why, tulle is cheap, posies to be had for nothing, and I am used to making the most of my poor little things.”

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