‘ No,’ Carol said, ‘ not them, Bobby, it’s your m — ‘
The apartment door opened and Liz stood there with her key in one hand and her hat — the one with the veil on it — in the other. Behind her and beyond the foyer the door to all the hot outside world stood open. Side by side on the porch welcome mat were her two suitcases, where the cab driver had put them.
‘Bobby, how many times have I told you to lock this damn — ‘
She got that far, then stopped. In later years Bobby would replay that moment again and again, seeing more and more of what his mother had seen when she came back from her disastrous trip to Providence: her son kneeling by the chair where the old man she had never liked or really trusted sat with the little girl in his lap. The little girl looked dazed. Her hair was in sweaty clumps. Her blouse had been torn off — it lay in pieces on the floor — and even with her own eyes puffed mostly shut, Liz would have seen Carol’s bruises: one on the shoulder, one on the ribs, one on the stomach.
And Carol and Bobby and Ted Brautigan saw her with that same amazed stop-time clarity: the two black eyes (Liz’s right eye was really nothing but a glitter deep in a puffball of discolored flesh); the lower lip which was swelled and split in two places and still wearing flecks of dried blood like old ugly lipstick; the nose which lay askew and had grown a misbegotten hook, making it almost into a caricature Witch Hazel nose.
Silence, a moment’s considering silence on a hot summer afternoon. Somewhere a car backfired. Somewhere a kid shouted ‘Come on,you guys!’ And from behind them on Colony Street came the sound Bobby would identify most strongly with his childhood in general and that Thursday in particular: Mrs O’Hara’s Bowser barking his way ever deeper into the twentieth century: roop-roop, roop-roop-roop.
Jack got her, Bobby thought. Jack Merridew and his nimrod friends.
‘Oh jeez, what happened?’ he asked her, breaking the silence. He didn’t want to know; he
had to know. He ran to her, starting to cry out of fright but also out of grief: her face, her poor face. She didn’t look like his mom at all. She looked like some old woman who belonged not on shady Broad Street but down there, where people drank wine out of bottles in paper sacks and had no last names. ‘What did he do? What did that bastard do to you?’
She paid no attention, seemed not to hear him at all. She laid hold of him, though; laid hold of his shoulders hard enough for him to feel her fingers sinking into his flesh, hard enough to hurt. She laid hold and then set him aside without a single look. ‘Let her go, you filthy man,’
she said in a low and rusty voice. ‘Let her go right now.’
‘Mrs Garfield, please don’t misunderstand.’ Ted lifted Carol off his lap — careful even now to keep his hand well away from her hurt shoulder — and then stood up himself. He shook out the legs of his pants, a fussy little gesture that was all Ted. ‘She was hurt, you see. Bobby found her — ‘
‘ BASTARD! ‘ Liz screamed. To her right was a table with a vase on it. She grabbed the vase and threw it at him. Ted ducked, but too slowly to avoid it completely; the bottom of the vase struck the top of his head, skipped like a stone on a pond, hit the wall and shattered.
Carol screamed.
‘Mom, no!’ Bobby shouted. ‘He didn’t do anything bad! He didn’t do anything bad!’
Liz took no notice. ‘How dare you touch her? Have you been touching my son the same way? You have, haven’t you? You don’t care which flavor they are, just as long as they’re_ young! ‘
Ted took a step toward her. The empty loops of his suspenders swung back and forth beside his legs. Bobby could see blooms of blood in the scant hair on top of his head where the vase had clipped him.