Lt. Leary, Commanding by David Drake

Before the Succession Riots, the palaces of wealthy families had covered the slopes of Dobbins Hill and a part of the Divan, on the south and southeast margins of the Vale. Most of those structures, that of the Mundys included, had burned with the Senate House. Rebuilding had taken place at a safer distance from the Vale, where political protest generally took form.

Now, even the palaces surviving from the time of the Riots had been converted to government use. The entire Pentacrest was given over to structures which either carried out the work of the Republic or vaunted the Republic’s power.

Adele made her way through the crowd, around the statues and other monuments studding the Vale like tucks in upholstery. A juggler performed with burning torches while an animal resembling a bipedal armadillo paced a circle about him, holding up a hat for donations. A woman with the flying hair of a Maenad shouted the truths of her revelation—amusingly to Adele, from the shade of a stele commemorating Admiral Duclon. Duclon, a hero of the First Alliance War, was reputedly the most profane man ever to wear an RCN uniform.

The Church of the Redeeming Spirit stood on Progress Hill. Students filled both bays of the domed portico sheltering the foot of the stairs serving it, declaiming under the eyes of their rival rhetoric professors. As Adele passed between the groups, the girl to her left trilled, ” . . . nor could the Republic long survive!” while the boy to the left boomed hoarsely, ” . . . nor can the Republic long survive!”

Adele wondered whether they’d been set the same proposition or if chance had merely doubled an oratorical commonplace. She wasn’t curious enough to listen for more; and anyway, time was short. Briskly she climbed the broad treads. They were hewn from hard sandstone, but nonetheless the feet of a millennium of passersby had polished them.

How would the Pentacrest look to a visitor from Rodalpa, say, or an even more rural world like Kerrace? Would he be impressed, or would it seem the mad chaos of an overturned ants’ nest?

To Adele, sophisticated and dispassionate but not even now a stranger, the Pentacrest was the most amazing sight of her personal experience. It made her—unwillingly and amused by her own sentimental weakness—proud to be a citizen of Cinnabar.

The stairs mounted the face of Progress Hill steeply. Every generation or so, some politician moved to put in an elevator. The proposal was always defeated on the twin grounds of tradition and fear of defacing the Pentacrest. Retainers carried members of most wealthy families, and citizens in more moderate circumstances could hire a chair and two husky laborers to bear it.

Adele’s mouth quirked a wry smile. The Mundys had courted the popular vote by walking on their own feet so long as health permitted them to. Her father would have said he supported the people as a matter of principle; and no doubt he did. But in the end principle boiled down to personal power, as surely for Lucius Mundy as it did for Corder Leary; and it was the Mundys whose associates—not Lucius himself, of that Adele was certain—took Alliance money to further their plans.

The open staircase ended in a terrace eighty feet above the Vale. Several of the city government offices were located here, their facades set back enough that they couldn’t be seen from below. An archway enclosing more stairs zigzagged across the face of the hill, leading to the nave of the church and the wings flanking the main courtyard.

Adele stepped into the tunnel, ignoring the beggars around the entrance. Church ushers—guards—prevented mendicants from climbing farther into the complex, so they clustered here on the lower parterre. Adele knew what it was to be poor, but she wasn’t wealthy now; and the sympathy for the poor that the political members of her family had shown as a matter of policy had died with them during the Proscriptions.

Electroluminescent strips along the axis of the tunnel’s roof cast a cool glow over the interior. Mosaics made from glass chips, sometimes with foil backing, lined the walls. The images portrayed the settlement of Cinnabar in the third wave of human expansion.

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