Martin Amis. The Rachel Papers

Valentine was in the attic playroom, knee-deep in a metropolis of Scalextric, dicing model sports-cars. I said I was going and told him to give my love to everyone, but he couldn’t hear me. I left a note on the hall table, and crept off.

Seven twenty: London

Now I look round my room and it seems a companionable place to be – what with the two wine bottles, the subdued lighting, the listless but reassuring presence of paper and books. Highway’s London, one of my note-pads, has it that I found the room ‘oppressive, sulky with the past, crouching in wan defiance as I turned to look at it’ on that September Sunday. My word. I suppose I was just moodier then, or more respectful of my moods, more inclined to think they were worth anything.

Of course, if Philip Larkin is anyone to go by, we all hate home and having to be there.

It was certainly nice to get out of the house and, come to think of it, 1 did feel quite braced and manly walking the nut-strewn lane to the village. The Oxford bus wasn’t due to leave for another quarter of an hour, so I had a well-earned-half at the pub and chatted with the landlord and his wrecky wife, Mr and Mrs Bladderby. (Interestingly, Mrs Bladderby had an even wreckier mother, who was eighty and had, moreover, during a recent outing, got her left leg slurped into a dreadful piece of agricultural machinery; she was far too ga-ga to die of shock, had indeed never mentioned the fateful picnic since. Now Mrs Lockhart resided in the room above the saloon, clubbing the floor with a warped bar-billiards cue whenever she needed attention.) As Mrs Bladderby disappeared to answer just such a summons, Mr Bladderby wagged his head at my suitcases and asked whether I was off on holiday again.

I stalled until the lady returned and then settled down to making it clear that, chinless elitist and bratty whey-faced lordling that I most unquestionably was, my move to London had nothing to do with any antipathy towards themselves, nor towards the village – far less did it symptomize a disillusionment with the rustic pieties, etc., etc. I gave two reasons. The first was ‘to study’, earning a look of grim approval from Mr Bladderby; the second was ‘to see my sister’, earning a glare of congeniality from his wife. When I finished my drink and glanced at my wristwatch they appeared to be really sorry to see me go, and two of the unemployable old locals looked up and said goodbye. Carefully closing the door after me, I was in no doubt whatever that one of them would now be saying: ‘That Charles, you know – he’s a fucking nice boy’; and then: ‘Yes, I agree – a fucking nice boy.’

And quite right too. Thinking back, actually, ‘self-infatuation’ strikes me as a rather ill-chosen word. It isn’t so much that I like or love myself. Rather, I’m sentimental about myself. (I say, is this normal for someone my age?) What do I think of Charles Highway? I think: ‘Charles Highway? Oh, I like him. Yes, I’ve got a soft spot for old Charles. He’s all right is Charlie. Chuck’s … okay.’

The bus was good, too. I sat up the front, to admire the chubby, unsmiling driver, whose combination of snake-eyed intentness and natural flair made quite good viewing. Elation was gathering on me like a drug – I smiled at my fellow-passengers, gazed interestedly out of the window, and was polite and deferential to the transport operative, producing the correct money and enunciating my destination clearly.

Nor was it as if this was an obviously epoch-making journey. Perhaps it was simply that I had rung this girl Gloria before I left.

At any rate, Oxford station, recently modernized so as to resemble a complex of Wimpy Bars, was sobering enough. The newsagents was closed so I looked out a paperback from my suitcase. Seated appropriately far from the window, A Room with a View lay unopened beside me all the way there.

London is where people go in order to come back from it sadder and wiser. But I had already been there – returned from it only three weeks before, in fact.

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