Martin Eden by Jack London

For that matter, most of them did not shake hands at all. A flood

of associations, visions of various ways he had made the

acquaintance of women, rushed into his mind and threatened to swamp

it. But he shook them aside and looked at her. Never had he seen

such a woman. The women he had known! Immediately, beside her, on

either hand, ranged the women he had known. For an eternal second

he stood in the midst of a portrait gallery, wherein she occupied

the central place, while about her were limned many women, all to

be weighed and measured by a fleeting glance, herself the unit of

weight and measure. He saw the weak and sickly faces of the girls

of the factories, and the simpering, boisterous girls from the

south of Market. There were women of the cattle camps, and swarthy

cigarette-smoking women of Old Mexico. These, in turn, were

crowded out by Japanese women, doll-like, stepping mincingly on

wooden clogs; by Eurasians, delicate featured, stamped with

degeneracy; by full-bodied South-Sea-Island women, flower-crowned

and brown-skinned. All these were blotted out by a grotesque and

terrible nightmare brood – frowsy, shuffling creatures from the

pavements of Whitechapel, gin-bloated hags of the stews, and all

the vast hell’s following of harpies, vile-mouthed and filthy, that

under the guise of monstrous female form prey upon sailors, the

scrapings of the ports, the scum and slime of the human pit.

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“Won’t you sit down, Mr. Eden?” the girl was saying. “I have been

looking forward to meeting you ever since Arthur told us. It was

brave of you – ”

He waved his hand deprecatingly and muttered that it was nothing at

all, what he had done, and that any fellow would have done it. She

noticed that the hand he waved was covered with fresh abrasions, in

the process of healing, and a glance at the other loose-hanging

hand showed it to be in the same condition. Also, with quick,

critical eye, she noted a scar on his cheek, another that peeped

out from under the hair of the forehead, and a third that ran down

and disappeared under the starched collar. She repressed a smile

at sight of the red line that marked the chafe of the collar

against the bronzed neck. He was evidently unused to stiff

collars. Likewise her feminine eye took in the clothes he wore,

the cheap and unaesthetic cut, the wrinkling of the coat across the

shoulders, and the series of wrinkles in the sleeves that

advertised bulging biceps muscles.

While he waved his hand and muttered that he had done nothing at

all, he was obeying her behest by trying to get into a chair. He

found time to admire the ease with which she sat down, then lurched

toward a chair facing her, overwhelmed with consciousness of the

awkward figure he was cutting. This was a new experience for him.

All his life, up to then, he had been unaware of being either

graceful or awkward. Such thoughts of self had never entered his

mind. He sat down gingerly on the edge of the chair, greatly

worried by his hands. They were in the way wherever he put them.

Arthur was leaving the room, and Martin Eden followed his exit with

longing eyes. He felt lost, alone there in the room with that pale

spirit of a woman. There was no bar-keeper upon whom to call for

drinks, no small boy to send around the corner for a can of beer

and by means of that social fluid start the amenities of friendship

flowing.

“You have such a scar on your neck, Mr. Eden,” the girl was saying.

“How did it happen? I am sure it must have been some adventure.”

“A Mexican with a knife, miss,” he answered, moistening his parched

lips and clearing hip throat. “It was just a fight. After I got

the knife away, he tried to bite off my nose.”

Baldly as he had stated it, in his eyes was a rich vision of that

hot, starry night at Salina Cruz, the white strip of beach, the

lights of the sugar steamers in the harbor, the voices of the

drunken sailors in the distance, the jostling stevedores, the

flaming passion in the Mexican’s face, the glint of the beast-eyes

in the starlight, the sting of the steel in his neck, and the rush

of blood, the crowd and the cries, the two bodies, his and the

Mexican’s, locked together, rolling over and over and tearing up

the sand, and from away off somewhere the mellow tinkling of a

guitar. Such was the picture, and he thrilled to the memory of it,

wondering if the man could paint it who had painted the pilot-

schooner on the wall. The white beach, the stars, and the lights

of the sugar steamers would look great, he thought, and midway on

the sand the dark group of figures that surrounded the fighters.

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6

The knife occupied a place in the picture, he decided, and would

show well, with a sort of gleam, in the light of the stars. But of

all this no hint had crept into his speech. “He tried to bite off

my nose,” he concluded.

“Oh,” the girl said, in a faint, far voice, and he noticed the

shock in her sensitive face.

He felt a shock himself, and a blush of embarrassment shone faintly

on his sunburned cheeks, though to him it burned as hotly as when

his cheeks had been exposed to the open furnace-door in the fire-

room. Such sordid things as stabbing affrays were evidently not

fit subjects for conversation with a lady. People in the books, in

her walk of life, did not talk about such things – perhaps they did

not know about them, either.

There was a brief pause in the conversation they were trying to get

started. Then she asked tentatively about the scar on his cheek.

Even as she asked, he realized that she was making an effort to

talk his talk, and he resolved to get away from it and talk hers.

“It was just an accident,” he said, putting his hand to his cheek.

“One night, in a calm, with a heavy sea running, the main-boom-lift

carried away, an’ next the tackle. The lift was wire, an’ it was

threshin’ around like a snake. The whole watch was tryin’ to grab

it, an’ I rushed in an’ got swatted.”

“Oh,” she said, this time with an accent of comprehension, though

secretly his speech had been so much Greek to her and she was

wondering what a LIFT was and what SWATTED meant.

“This man Swineburne,” he began, attempting to put his plan into

execution and pronouncing the I long.

“Who?”

“Swineburne,” he repeated, with the same mispronunciation. “The

poet.”

“Swinburne,” she corrected.

“Yes, that’s the chap,” he stammered, his cheeks hot again. “How

long since he died?”

“Why, I haven’t heard that he was dead.” She looked at him

curiously. “Where did you make his acquaintance?”

“I never clapped eyes on him,” was the reply. “But I read some of

his poetry out of that book there on the table just before you come

in. How do you like his poetry?”

And thereat she began to talk quickly and easily upon the subject

he had suggested. He felt better, and settled back slightly from

the edge of the chair, holding tightly to its arms with his hands,

as if it might get away from him and buck him to the floor. He had

succeeded in making her talk her talk, and while she rattled on, he

strove to follow her, marvelling at all the knowledge that was

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7

stowed away in that pretty head of hers, and drinking in the pale

beauty of her face. Follow her he did, though bothered by

unfamiliar words that fell glibly from her lips and by critical

phrases and thought-processes that were foreign to his mind, but

that nevertheless stimulated his mind and set it tingling. Here

was intellectual life, he thought, and here was beauty, warm and

wonderful as he had never dreamed it could be. He forgot himself

and stared at her with hungry eyes. Here was something to live

for, to win to, to fight for – ay, and die for. The books were

true. There were such women in the world. She was one of them.

She lent wings to his imagination, and great, luminous canvases

spread themselves before him whereon loomed vague, gigantic figures

of love and romance, and of heroic deeds for woman’s sake – for a

pale woman, a flower of gold. And through the swaying, palpitant

vision, as through a fairy mirage, he stared at the real woman,

sitting there and talking of literature and art. He listened as

well, but he stared, unconscious of the fixity of his gaze or of

the fact that all that was essentially masculine in his nature was

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