Martin Eden by Jack London

he forgot himself and where he was, and the old words – the tools

of speech he knew – slipped out.

Once, he declined something from the servant who interrupted and

pestered at his shoulder, and he said, shortly and emphatically,

“Pew!”

On the instant those at the table were keyed up and expectant, the

servant was smugly pleased, and he was wallowing in mortification.

But he recovered himself quickly.

“It’s the Kanaka for ‘finish,'” he explained, “and it just come out

naturally. It’s spelt p-a-u.”

He caught her curious and speculative eyes fixed on his hands, and,

being in explanatory mood, he said:-

“I just come down the Coast on one of the Pacific mail steamers.

She was behind time, an’ around the Puget Sound ports we worked

like niggers, storing cargo-mixed freight, if you know what that

means. That’s how the skin got knocked off.”

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“Oh, it wasn’t that,” she hastened to explain, in turn. “Your

hands seemed too small for your body.”

His cheeks were hot. He took it as an exposure of another of his

deficiencies.

“Yes,” he said depreciatingly. “They ain’t big enough to stand the

strain. I can hit like a mule with my arms and shoulders. They

are too strong, an’ when I smash a man on the jaw the hands get

smashed, too.”

He was not happy at what he had said. He was filled with disgust

at himself. He had loosed the guard upon his tongue and talked

about things that were not nice.

“It was brave of you to help Arthur the way you did – and you a

stranger,” she said tactfully, aware of his discomfiture though not

of the reason for it.

He, in turn, realized what she had done, and in the consequent warm

surge of gratefulness that overwhelmed him forgot his loose-worded

tongue.

“It wasn’t nothin’ at all,” he said. “Any guy ‘ud do it for

another. That bunch of hoodlums was lookin’ for trouble, an’

Arthur wasn’t botherin’ ’em none. They butted in on ‘m, an’ then I

butted in on them an’ poked a few. That’s where some of the skin

off my hands went, along with some of the teeth of the gang. I

wouldn’t ‘a’ missed it for anything. When I seen – ”

He paused, open-mouthed, on the verge of the pit of his own

depravity and utter worthlessness to breathe the same air she did.

And while Arthur took up the tale, for the twentieth time, of his

adventure with the drunken hoodlums on the ferry-boat and of how

Martin Eden had rushed in and rescued him, that individual, with

frowning brows, meditated upon the fool he had made of himself, and

wrestled more determinedly with the problem of how he should

conduct himself toward these people. He certainly had not

succeeded so far. He wasn’t of their tribe, and he couldn’t talk

their lingo, was the way he put it to himself. He couldn’t fake

being their kind. The masquerade would fail, and besides,

masquerade was foreign to his nature. There was no room in him for

sham or artifice. Whatever happened, he must be real. He couldn’t

talk their talk just yet, though in time he would. Upon that he

was resolved. But in the meantime, talk he must, and it must be

his own talk, toned down, of course, so as to be comprehensible to

them and so as not to shook them too much. And furthermore, he

wouldn’t claim, not even by tacit acceptance, to be familiar with

anything that was unfamiliar. In pursuance of this decision, when

the two brothers, talking university shop, had used “trig” several

times, Martin Eden demanded:-

“What is TRIG?”

“Trignometry,” Norman said; “a higher form of math.”

“And what is math?” was the next question, which, somehow, brought

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14

the laugh on Norman.

“Mathematics, arithmetic,” was the answer.

Martin Eden nodded. He had caught a glimpse of the apparently

illimitable vistas of knowledge. What he saw took on tangibility.

His abnormal power of vision made abstractions take on concrete

form. In the alchemy of his brain, trigonometry and mathematics

and the whole field of knowledge which they betokened were

transmuted into so much landscape. The vistas he saw were vistas

of green foliage and forest glades, all softly luminous or shot

through with flashing lights. In the distance, detail was veiled

and blurred by a purple haze, but behind this purple haze, he knew,

was the glamour of the unknown, the lure of romance. It was like

wine to him. Here was adventure, something to do with head and

hand, a world to conquer – and straightway from the back of his

consciousness rushed the thought, CONQUERING, TO WIN TO HER, THAT

LILY-PALE SPIRIT SITTING BESIDE HIM.

The glimmering vision was rent asunder and dissipated by Arthur,

who, all evening, had been trying to draw his wild man out. Martin

Eden remembered his decision. For the first time he became

himself, consciously and deliberately at first, but soon lost in

the joy of creating in making life as he knew it appear before his

listeners’ eyes. He had been a member of the crew of the smuggling

schooner Halcyon when she was captured by a revenue cutter. He saw

with wide eyes, and he could tell what he saw. He brought the

pulsing sea before them, and the men and the ships upon the sea.

He communicated his power of vision, till they saw with his eyes

what he had seen. He selected from the vast mass of detail with an

artist’s touch, drawing pictures of life that glowed and burned

with light and color, injecting movement so that his listeners

surged along with him on the flood of rough eloquence, enthusiasm,

and power. At times he shocked them with the vividness of the

narrative and his terms of speech, but beauty always followed fast

upon the heels of violence, and tragedy was relieved by humor, by

interpretations of the strange twists and quirks of sailors’ minds.

And while he talked, the girl looked at him with startled eyes.

His fire warmed her. She wondered if she had been cold all her

days. She wanted to lean toward this burning, blazing man that was

like a volcano spouting forth strength, robustness, and health.

She felt that she must lean toward him, and resisted by an effort.

Then, too, there was the counter impulse to shrink away from him.

She was repelled by those lacerated hands, grimed by toil so that

the very dirt of life was ingrained in the flesh itself, by that

red chafe of the collar and those bulging muscles. His roughness

frightened her; each roughness of speech was an insult to her ear,

each rough phase of his life an insult to her soul. And ever and

again would come the draw of him, till she thought he must be evil

to have such power over her. All that was most firmly established

in her mind was rocking. His romance and adventure were battering

at the conventions. Before his facile perils and ready laugh, life

was no longer an affair of serious effort and restraint, but a toy,

to be played with and turned topsy-turvy, carelessly to be lived

and pleasured in, and carelessly to be flung aside. “Therefore,

play!” was the cry that rang through her. “Lean toward him, if so

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15

you will, and place your two hands upon his neck!” She wanted to

cry out at the recklessness of the thought, and in vain she

appraised her own cleanness and culture and balanced all that she

was against what he was not. She glanced about her and saw the

others gazing at him with rapt attention; and she would have

despaired had not she seen horror in her mother’s eyes – fascinated

horror, it was true, but none the less horror. This man from outer

darkness was evil. Her mother saw it, and her mother was right.

She would trust her mother’s judgment in this as she had always

trusted it in all things. The fire of him was no longer warm, and

the fear of him was no longer poignant.

Later, at the piano, she played for him, and at him, aggressively,

with the vague intent of emphasizing the impassableness of the gulf

that separated them. Her music was a club that she swung brutally

upon his head; and though it stunned him and crushed him down, it

incited him. He gazed upon her in awe. In his mind, as in her

own, the gulf widened; but faster than it widened, towered his

ambition to win across it. But he was too complicated a plexus of

sensibilities to sit staring at a gulf a whole evening, especially

when there was music. He was remarkably susceptible to music. It

was like strong drink, firing him to audacities of feeling, – a

drug that laid hold of his imagination and went cloud-soaring

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