Martin Eden by Jack London

by the persons who are doing something in the world. To listen to

conversation about such things would mean to be bored, wherefore

the idlers decree that such things are shop and must not be talked

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about. Likewise they decree the things that are not shop and which

may be talked about, and those things are the latest operas, latest

novels, cards, billiards, cocktails, automobiles, horse shows,

trout fishing, tuna-fishing, big-game shooting, yacht sailing, and

so forth – and mark you, these are the things the idlers know. In

all truth, they constitute the shop-talk of the idlers. And the

funniest part of it is that many of the clever people, and all the

would-be clever people, allow the idlers so to impose upon them.

As for me, I want the best a man’s got in him, call it shop

vulgarity or anything you please.”

A

nd Ruth had not understood. This attack of his on the established

had seemed to her just so much wilfulness of opinion.

So Martin contaminated Professor Caldwell with his own earnestness,

challenging him to speak his mind. As Ruth paused beside them she

heard Martin saying:-

“You surely don’t pronounce such heresies in the University of

California?”

Professor Caldwell shrugged his shoulders. “The honest taxpayer

and the politician, you know. Sacramento gives us our

appropriations and therefore we kowtow to Sacramento, and to the

Board of Regents, and to the party press, or to the press of both

parties.”

“Yes, that’s clear; but how about you?” Martin urged. “You must be

a fish out of the water.”

“Few like me, I imagine, in the university pond. Sometimes I am

fairly sure I am out of water, and that I should belong in Paris,

in Grub Street, in a hermit’s cave, or in some sadly wild Bohemian

crowd, drinking claret, – dago-red they call it in San Francisco, –

dining in cheap restaurants in the Latin Quarter, and expressing

vociferously radical views upon all creation. Really, I am

frequently almost sure that I was cut out to be a radical. But

then, there are so many questions on which I am not sure. I grow

timid when I am face to face with my human frailty, which ever

prevents me from grasping all the factors in any problem – human,

vital problems, you know.”

And as he talked on, Martin became aware that to his own lips had

come the “Song of the Trade Wind”:-

“I am strongest at noon,

But under the moon

I stiffen the bunt of the sail.”

He was almost humming the words, and it dawned upon him that the

other reminded him of the trade wind, of the Northeast Trade,

steady, and cool, and strong. He was equable, he was to be relied

upon, and withal there was a certain bafflement about him. Martin

had the feeling that he never spoke his full mind, just as he had

often had the feeling that the trades never blew their strongest

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but always held reserves of strength that were never used.

Martin’s trick of visioning was active as ever. His brain was a

most accessible storehouse of remembered fact and fancy, and its

contents seemed ever ordered and spread for his inspection.

Whatever occurred in the instant present, Martin’s mind immediately

presented associated antithesis or similitude which ordinarily

expressed themselves to him in vision. It was sheerly automatic,

and his visioning was an unfailing accompaniment to the living

present. Just as Ruth’s face, in a momentary jealousy had called

before his eyes a forgotten moonlight gale, and as Professor

Caldwell made him see again the Northeast Trade herding the white

billows across the purple sea, so, from moment to moment, not

disconcerting but rather identifying and classifying, new memory-

visions rose before him, or spread under his eyelids, or were

thrown upon the screen of his consciousness. These visions came

out of the actions and sensations of the past, out of things and

events and books of yesterday and last week – a countless host of

apparitions that, waking or sleeping, forever thronged his mind.

So it was, as he listened to Professor Caldwell’s easy flow of

speech – the conversation of a clever, cultured man – that Martin

kept seeing himself down all his past. He saw himself when he had

been quite the hoodlum, wearing a “stiff-rim” Stetson hat and a

square-cut, double-breasted coat, with a certain swagger to the

shoulders and possessing the ideal of being as tough as the police

permitted. He did not disguise it to himself, nor attempt to

palliate it. At one time in his life he had been just a common

hoodlum, the leader of a gang that worried the police and

terrorized honest, working-class householders. But his ideals had

changed. He glanced about him at the well-bred, well-dressed men

and women, and breathed into his lungs the atmosphere of culture

and refinement, and at the same moment the ghost of his early

youth, in stiff-rim and square-cut, with swagger and toughness,

stalked across the room. This figure, of the corner hoodlum, he

saw merge into himself, sitting and talking with an actual

university professor.

For, after all, he had never found his permanent abiding place. He

had fitted in wherever he found himself, been a favorite always and

everywhere by virtue of holding his own at work and at play and by

his willingness and ability to fight for his rights and command

respect. But he had never taken root. He had fitted in

sufficiently to satisfy his fellows but not to satisfy himself. He

had been perturbed always by a feeling of unrest, had heard always

the call of something from beyond, and had wandered on through life

seeking it until he found books and art and love. And here he was,

in the midst of all this, the only one of all the comrades he had

adventured with who could have made themselves eligible for the

inside of the Morse home.

But such thoughts and visions did not prevent him from following

Professor Caldwell closely. And as he followed, comprehendingly

and critically, he noted the unbroken field of the other’s

knowledge. As for himself, from moment to moment the conversation

showed him gaps and open stretches, whole subjects with which he

was unfamiliar. Nevertheless, thanks to his Spencer, he saw that

he possessed the outlines of the field of knowledge. It was a

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matter only of time, when he would fill in the outline. Then watch

out, he thought – ‘ware shoal, everybody! He felt like sitting at

the feet of the professor, worshipful and absorbent; but, as he

listened, he began to discern a weakness in the other’s judgments –

a weakness so stray and elusive that he might not have caught it

had it not been ever present. And when he did catch it, he leapt

to equality at once.

Ruth came up to them a second time, just as Martin began to speak.

“I’ll tell you where you are wrong, or, rather, what weakens your

judgments,” he said. “You lack biology. It has no place in your

scheme of things. – Oh, I mean the real interpretative biology,

from the ground up, from the laboratory and the test-tube and the

vitalized inorganic right on up to the widest aesthetic and

sociological generalizations.”

Ruth was appalled. She had sat two lecture courses under Professor

Caldwell and looked up to him as the living repository of all

knowledge.

“I scarcely follow you,” he said dubiously.

Martin was not so sure but what he had followed him.

“Then I’ll try to explain,” he said. “I remember reading in

Egyptian history something to the effect that understanding could

not be had of Egyptian art without first studying the land

question.”

“Quite right,” the professor nodded.

“And it seems to me,” Martin continued, “that knowledge of the land

question, in turn, of all questions, for that matter, cannot be had

without previous knowledge of the stuff and the constitution of

life. How can we understand laws and institutions, religions and

customs, without understanding, not merely the nature of the

creatures that made them, but the nature of the stuff out of which

the creatures are made? Is literature less human than the

architecture and sculpture of Egypt? Is there one thing in the

known universe that is not subject to the law of evolution? – Oh, I

know there is an elaborate evolution of the various arts laid down,

but it seems to me to be too mechanical. The human himself is left

out. The evolution of the tool, of the harp, of music and song and

dance, are all beautifully elaborated; but how about the evolution

of the human himself, the development of the basic and intrinsic

parts that were in him before he made his first tool or gibbered

his first chant? It is that which you do not consider, and which I

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