Martin Eden by Jack London

but in them smouldered a fire, or, rather, lurked an expression

dual and strangely contradictory. Defiant, indomitable, even harsh

to excess, they at the same time aroused pity. Martin found

himself pitying him he knew not why, though he was soon to learn.

“Oh, I’m a lunger,” Brissenden announced, offhand, a little later,

having already stated that he came from Arizona. “I’ve been down

there a couple of years living on the climate.”

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“Aren’t you afraid to venture it up in this climate?”

“Afraid?”

There was no special emphasis of his repetition of Martin’s word.

But Martin saw in that ascetic face the advertisement that there

was nothing of which it was afraid. The eyes had narrowed till

they were eagle-like, and Martin almost caught his breath as he

noted the eagle beak with its dilated nostrils, defiant, assertive,

aggressive. Magnificent, was what he commented to himself, his

blood thrilling at the sight. Aloud, he quoted:-

“‘Under the bludgeoning of Chance

My head is bloody but unbowed.'”

“You like Henley,” Brissenden said, his expression changing swiftly

to large graciousness and tenderness. “Of course, I couldn’t have

expected anything else of you. Ah, Henley! A brave soul. He

stands out among contemporary rhymesters – magazine rhymesters – as

a gladiator stands out in the midst of a band of eunuchs.”

“You don’t like the magazines,” Martin softly impeached.

“Do you?” was snarled back at him so savagely as to startle him.

“I – I write, or, rather, try to write, for the magazines,” Martin

faltered.

“That’s better,” was the mollified rejoinder. “You try to write,

but you don’t succeed. I respect and admire your failure. I know

what you write. I can see it with half an eye, and there’s one

ingredient in it that shuts it out of the magazines. It’s guts,

and magazines have no use for that particular commodity. What they

want is wish-wash and slush, and God knows they get it, but not

from you.”

“I’m not above hack-work,” Martin contended.

“On the contrary – ” Brissenden paused and ran an insolent eye

over Martin’s objective poverty, passing from the well-worn tie and

the saw-edged collar to the shiny sleeves of the coat and on to the

slight fray of one cuff, winding up and dwelling upon Martin’s

sunken cheeks. “On the contrary, hack-work is above you, so far

above you that you can never hope to rise to it. Why, man, I could

insult you by asking you to have something to eat.”

Martin felt the heat in his face of the involuntary blood, and

Brissenden laughed triumphantly.

“A full man is not insulted by such an invitation,” he concluded.

“You are a devil,” Martin cried irritably.

“Anyway, I didn’t ask you.”

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“You didn’t dare.”

“Oh, I don’t know about that. I invite you now.”

Brissenden half rose from his chair as he spoke, as if with the

intention of departing to the restaurant forthwith.

Martin’s fists were tight-clenched, and his blood was drumming in

his temples.

“Bosco! He eats ’em alive! Eats ’em alive!” Brissenden

exclaimed, imitating the SPIELER of a locally famous snake-eater.

“I could certainly eat you alive,” Martin said, in turn running

insolent eyes over the other’s disease-ravaged frame.

“Only I’m not worthy of it?”

“On the contrary,” Martin considered, “because the incident is not

worthy.” He broke into a laugh, hearty and wholesome. “I confess

you made a fool of me, Brissenden. That I am hungry and you are

aware of it are only ordinary phenomena, and there’s no disgrace.

You see, I laugh at the conventional little moralities of the herd;

then you drift by, say a sharp, true word, and immediately I am the

slave of the same little moralities.”

“You were insulted,” Brissenden affirmed.

“I certainly was, a moment ago. The prejudice of early youth, you

know. I learned such things then, and they cheapen what I have

since learned. They are the skeletons in my particular closet.”

“But you’ve got the door shut on them now?”

“I certainly have.”

“Sure?”

“Sure.”

“Then let’s go and get something to eat.”

“I’ll go you,” Martin answered, attempting to pay for the current

Scotch and soda with the last change from his two dollars and

seeing the waiter bullied by Brissenden into putting that change

back on the table.

Martin pocketed it with a grimace, and felt for a moment the kindly

weight of Brissenden’s hand upon his shoulder.

CHAPTER XXXII

Promptly, the next afternoon, Maria was excited by Martin’s second

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visitor. But she did not lose her head this time, for she seated

Brissenden in her parlor’s grandeur of respectability.

“Hope you don’t mind my coming?” Brissenden began.

“No, no, not at all,” Martin answered, shaking hands and waving him

to the solitary chair, himself taking to the bed. “But how did you

know where I lived?”

“Called up the Morses. Miss Morse answered the ‘phone. And here I

am.” He tugged at his coat pocket and flung a thin volume on the

table. “There’s a book, by a poet. Read it and keep it.” And

then, in reply to Martin’s protest: “What have I to do with books?

I had another hemorrhage this morning. Got any whiskey? No, of

course not. Wait a minute.”

He was off and away. Martin watched his long figure go down the

outside steps, and, on turning to close the gate, noted with a pang

the shoulders, which had once been broad, drawn in now over, the

collapsed ruin of the chest. Martin got two tumblers, and fell to

reading the book of verse, Henry Vaughn Marlow’s latest collection.

“No Scotch,” Brissenden announced on his return. “The beggar sells

nothing but American whiskey. But here’s a quart of it.”

“I’ll send one of the youngsters for lemons, and we’ll make a

toddy,” Martin offered.

“I wonder what a book like that will earn Marlow?” he went on,

holding up the volume in question.

“Possibly fifty dollars,” came the answer. “Though he’s lucky if

he pulls even on it, or if he can inveigle a publisher to risk

bringing it out.”

“Then one can’t make a living out of poetry?”

Martin’s tone and face alike showed his dejection.

“Certainly not. What fool expects to? Out of rhyming, yes.

There’s Bruce, and Virginia Spring, and Sedgwick. They do very

nicely. But poetry – do you know how Vaughn Marlow makes his

living? – teaching in a boys’ cramming-joint down in Pennsylvania,

and of all private little hells such a billet is the limit. I

wouldn’t trade places with him if he had fifty years of life before

him. And yet his work stands out from the ruck of the contemporary

versifiers as a balas ruby among carrots. And the reviews he gets!

Damn them, all of them, the crass manikins!”

“Too much is written by the men who can’t write about the men who

do write,” Martin concurred. “Why, I was appalled at the

quantities of rubbish written about Stevenson and his work.”

“Ghouls and harpies!” Brissenden snapped out with clicking teeth.

“Yes, I know the spawn – complacently pecking at him for his Father

Damien letter, analyzing him, weighing him – ”

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“Measuring him by the yardstick of their own miserable egos,”

Martin broke in.

“Yes, that’s it, a good phrase, – mouthing and besliming the True,

and Beautiful, and Good, and finally patting him on the back and

saying, ‘Good dog, Fido.’ Faugh! ‘The little chattering daws of

men,’ Richard Realf called them the night he died.”

“Pecking at star-dust,” Martin took up the strain warmly; “at the

meteoric flight of the master-men. I once wrote a squib on them –

the critics, or the reviewers, rather.”

“Let’s see it,” Brissenden begged eagerly.

So Martin unearthed a carbon copy of “Star-dust,” and during the

reading of it Brissenden chuckled, rubbed his hands, and forgot to

sip his toddy.

“Strikes me you’re a bit of star-dust yourself, flung into a world

of cowled gnomes who cannot see,” was his comment at the end of it.

“Of course it was snapped up by the first magazine?”

Martin ran over the pages of his manuscript book. “It has been

refused by twenty-seven of them.”

Brissenden essayed a long and hearty laugh, but broke down in a fit

of coughing.

“Say, you needn’t tell me you haven’t tackled poetry,” he gasped.

“Let me see some of it.”

“Don’t read it now,” Martin pleaded. “I want to talk with you.

I’ll make up a bundle and you can take it home.”

Brissenden departed with the “Love-cycle,” and “The Peri and the

Pearl,” returning next day to greet Martin with:-

“I want more.”

Not only did he assure Martin that he was a poet, but Martin

learned that Brissenden also was one. He was swept off his feet by

the other’s work, and astounded that no attempt had been made to

publish it.

“A plague on all their houses!” was Brissenden’s answer to Martin’s

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