Martin Eden by Jack London

closed eyes, and did not think at all, while the daze or stupor

slowly welled up, saturating his consciousness. Half in delirium,

he began muttering aloud the lines of an anonymous poem Brissenden

had been fond of quoting to him. Maria, listening anxiously

outside his door, was perturbed by his monotonous utterance. The

words in themselves were not significant to her, but the fact that

he was saying them was. “I have done,” was the burden of the poem.

“‘I have done –

Put by the lute.

Song and singing soon are over

As the airy shades that hover

In among the purple clover.

I have done –

Put by the lute.

Once I sang as early thrushes

Sing among the dewy bushes;

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Now I’m mute.

I am like a weary linnet,

For my throat has no song in it;

I have had my singing minute.

I have done.

Put by the lute.'”

Maria could stand it no longer, and hurried away to the stove,

where she filled a quart-bowl with soup, putting into it the lion’s

share of chopped meat and vegetables which her ladle scraped from

the bottom of the pot. Martin roused himself and sat up and began

to eat, between spoonfuls reassuring Maria that he had not been

talking in his sleep and that he did not have any fever.

After she left him he sat drearily, with drooping shoulders, on the

edge of the bed, gazing about him with lack-lustre eyes that saw

nothing until the torn wrapper of a magazine, which had come in the

morning’s mail and which lay unopened, shot a gleam of light into

his darkened brain. It is THE PARTHENON, he thought, the August

PARTHENON, and it must contain “Ephemera.” If only Brissenden were

here to see!

He was turning the pages of the magazine, when suddenly he stopped.

“Ephemera” had been featured, with gorgeous head-piece and

Beardsley-like margin decorations. On one side of the head-piece

was Brissenden’s photograph, on the other side was the photograph

of Sir John Value, the British Ambassador. A preliminary editorial

note quoted Sir John Value as saying that there were no poets in

America, and the publication of “Ephemera” was THE PARTHENON’S.

“There, take that, Sir John Value!” Cartwright Bruce was described

as the greatest critic in America, and he was quoted as saying that

“Ephemera” was the greatest poem ever written in America. And

finally, the editor’s foreword ended with: “We have not yet made

up our minds entirely as to the merits of “Ephemera”; perhaps we

shall never be able to do so. But we have read it often, wondering

at the words and their arrangement, wondering where Mr. Brissenden

got them, and how he could fasten them together.” Then followed

the poem.

“Pretty good thing you died, Briss, old man,” Martin murmured,

letting the magazine slip between his knees to the floor.

The cheapness and vulgarity of it was nauseating, and Martin noted

apathetically that he was not nauseated very much. He wished he

could get angry, but did not have energy enough to try. He was too

numb. His blood was too congealed to accelerate to the swift tidal

flow of indignation. After all, what did it matter? It was on a

par with all the rest that Brissenden had condemned in bourgeois

society.

“Poor Briss,” Martin communed; “he would never have forgiven me.”

Rousing himself with an effort, he possessed himself of a box which

had once contained type-writer paper. Going through its contents,

he drew forth eleven poems which his friend had written. These he

tore lengthwise and crosswise and dropped into the waste basket.

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He did it languidly, and, when he had finished, sat on the edge of

the bed staring blankly before him.

How long he sat there he did not know, until, suddenly, across his

sightless vision he saw form a long horizontal line of white. It

was curious. But as he watched it grow in definiteness he saw that

it was a coral reef smoking in the white Pacific surges. Next, in

the line of breakers he made out a small canoe, an outrigger canoe.

In the stern he saw a young bronzed god in scarlet hip-cloth

dipping a flashing paddle. He recognized him. He was Moti, the

youngest son of Tati, the chief, and this was Tahiti, and beyond

that smoking reef lay the sweet land of Papara and the chief’s

grass house by the river’s mouth. It was the end of the day, and

Moti was coming home from the fishing. He was waiting for the rush

of a big breaker whereon to jump the reef. Then he saw himself,

sitting forward in the canoe as he had often sat in the past,

dipping a paddle that waited Moti’s word to dig in like mad when

the turquoise wall of the great breaker rose behind them. Next, he

was no longer an onlooker but was himself in the canoe, Moti was

crying out, they were both thrusting hard with their paddles,

racing on the steep face of the flying turquoise. Under the bow

the water was hissing as from a steam jet, the air was filled with

driven spray, there was a rush and rumble and long-echoing roar,

and the canoe floated on the placid water of the lagoon. Moti

laughed and shook the salt water from his eyes, and together they

paddled in to the pounded-coral beach where Tati’s grass walls

through the cocoanut-palms showed golden in the setting sun.

The picture faded, and before his eyes stretched the disorder of

his squalid room. He strove in vain to see Tahiti again. He knew

there was singing among the trees and that the maidens were dancing

in the moonlight, but he could not see them. He could see only the

littered writing-table, the empty space where the type-writer had

stood, and the unwashed window-pane. He closed his eyes with a

groan, and slept.

CHAPTER XLI

He slept heavily all night, and did not stir until aroused by the

postman on his morning round. Martin felt tired and passive, and

went through his letters aimlessly. One thin envelope, from a

robber magazine, contained for twenty-two dollars. He had been

dunning for it for a year and a half. He noted its amount

apathetically. The old-time thrill at receiving a publisher’s

check was gone. Unlike his earlier checks, this one was not

pregnant with promise of great things to come. To him it was a

check for twenty-two dollars, that was all, and it would buy him

something to eat.

Another check was in the same mail, sent from a New York weekly in

payment for some humorous verse which had been accepted months

before. It was for ten dollars. An idea came to him, which he

calmly considered. He did not know what he was going to do, and he

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felt in no hurry to do anything. In the meantime he must live.

Also he owed numerous debts. Would it not be a paying investment

to put stamps on the huge pile of manuscripts under the table and

start them on their travels again? One or two of them might be

accepted. That would help him to live. He decided on the

investment, and, after he had cashed the checks at the bank down in

Oakland, he bought ten dollars’ worth of postage stamps. The

thought of going home to cook breakfast in his stuffy little room

was repulsive to him. For the first time he refused to consider

his debts. He knew that in his room he could manufacture a

substantial breakfast at a cost of from fifteen to twenty cents.

But, instead, he went into the Forum Cafe and ordered a breakfast

that cost two dollars. He tipped the waiter a quarter, and spent

fifty cents for a package of Egyptian cigarettes. It was the first

time he had smoked since Ruth had asked him to stop. But he could

see now no reason why he should not, and besides, he wanted to

smoke. And what did the money matter? For five cents he could

have bought a package of Durham and brown papers and rolled forty

cigarettes – but what of it? Money had no meaning to him now

except what it would immediately buy. He was chartless and

rudderless, and he had no port to make, while drifting involved the

least living, and it was living that hurt.

The days slipped along, and he slept eight hours regularly every

night. Though now, while waiting for more checks, he ate in the

Japanese restaurants where meals were served for ten cents, his

wasted body filled out, as did the hollows in his cheeks. He no

longer abused himself with short sleep, overwork, and overstudy.

He wrote nothing, and the books were closed. He walked much, out

in the hills, and loafed long hours in the quiet parks. He had no

friends nor acquaintances, nor did he make any. He had no

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