Martin Eden by Jack London

moment. A fierce controversy was precipitated. Saleeby and

Haeckel indorsed and defended “The Shame of the Sun,” for once

finding themselves on the same side of a question. Crookes and

Wallace ranged up on the opposing side, while Sir Oliver Lodge

attempted to formulate a compromise that would jibe with his

particular cosmic theories. Maeterlinck’s followers rallied around

the standard of mysticism. Chesterton set the whole world laughing

with a series of alleged non-partisan essays on the subject, and

the whole affair, controversy and controversialists, was well-nigh

swept into the pit by a thundering broadside from George Bernard

Shaw. Needless to say the arena was crowded with hosts of lesser

lights, and the dust and sweat and din became terrific.

“It is a most marvellous happening,” Singletree, Darnley & Co.

wrote Martin, “a critical philosophic essay selling like a novel.

You could not have chosen your subject better, and all contributory

factors have been unwarrantedly propitious. We need scarcely to

assure you that we are making hay while the sun shines. Over forty

thousand copies have already been sold in the United States and

Canada, and a new edition of twenty thousand is on the presses. We

are overworked, trying to supply the demand. Nevertheless we have

helped to create that demand. We have already spent five thousand

dollars in advertising. The book is bound to be a record-breaker.”

“Please find herewith a contract in duplicate for your next book

which we have taken the liberty of forwarding to you. You will

please note that we have increased your royalties to twenty per

cent, which is about as high as a conservative publishing house

dares go. If our offer is agreeable to you, please fill in the

proper blank space with the title of your book. We make no

stipulations concerning its nature. Any book on any subject. If

you have one already written, so much the better. Now is the time

to strike. The iron could not be hotter.”

“On receipt of signed contract we shall be pleased to make you an

advance on royalties of five thousand dollars. You see, we have

faith in you, and we are going in on this thing big. We should

like, also, to discuss with you the drawing up of a contract for a

term of years, say ten, during which we shall have the exclusive

right of publishing in book-form all that you produce. But more of

this anon.”

Martin laid down the letter and worked a problem in mental

arithmetic, finding the product of fifteen cents times sixty

thousand to be nine thousand dollars. He signed the new contract,

inserting “The Smoke of Joy” in the blank space, and mailed it back

to the publishers along with the twenty storiettes he had written

in the days before he discovered the formula for the newspaper

storiette. And promptly as the United States mail could deliver

and return, came Singletree, Darnley & Co.’s check for five

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thousand dollars.

“I want you to come down town with me, Maria, this afternoon about

two o’clock,” Martin said, the morning the check arrived. “Or,

better, meet me at Fourteenth and Broadway at two o’clock. I’ll be

looking out for you.”

At the appointed time she was there; but SHOES was the only clew to

the mystery her mind had been capable of evolving, and she suffered

a distinct shock of disappointment when Martin walked her right by

a shoe-store and dived into a real estate office. What happened

thereupon resided forever after in her memory as a dream. Fine

gentlemen smiled at her benevolently as they talked with Martin and

one another; a type-writer clicked; signatures were affixed to an

imposing document; her own landlord was there, too, and affixed his

signature; and when all was over and she was outside on the

sidewalk, her landlord spoke to her, saying, “Well, Maria, you

won’t have to pay me no seven dollars and a half this month.”

Maria was too stunned for speech.

“Or next month, or the next, or the next,” her landlord said.

She thanked him incoherently, as if for a favor. And it was not

until she had returned home to North Oakland and conferred with her

own kind, and had the Portuguese grocer investigate, that she

really knew that she was the owner of the little house in which she

had lived and for which she had paid rent so long.

“Why don’t you trade with me no more?” the Portuguese grocer asked

Martin that evening, stepping out to hail him when he got off the

car; and Martin explained that he wasn’t doing his own cooking any

more, and then went in and had a drink of wine on the house. He

noted it was the best wine the grocer had in stock.

“Maria,” Martin announced that night, “I’m going to leave you. And

you’re going to leave here yourself soon. Then you can rent the

house and be a landlord yourself. You’ve a brother in San Leandro

or Haywards, and he’s in the milk business. I want you to send all

your washing back unwashed – understand? – unwashed, and to go out

to San Leandro to-morrow, or Haywards, or wherever it is, and see

that brother of yours. Tell him to come to see me. I’ll be

stopping at the Metropole down in Oakland. He’ll know a good milk-

ranch when he sees one.”

And so it was that Maria became a landlord and the sole owner of a

dairy, with two hired men to do the work for her and a bank account

that steadily increased despite the fact that her whole brood wore

shoes and went to school. Few persons ever meet the fairy princes

they dream about; but Maria, who worked hard and whose head was

hard, never dreaming about fairy princes, entertained hers in the

guise of an ex-laundryman.

In the meantime the world had begun to ask: “Who is this Martin

Eden?” He had declined to give any biographical data to his

publishers, but the newspapers were not to be denied. Oakland was

his own town, and the reporters nosed out scores of individuals who

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could supply information. All that he was and was not, all that he

had done and most of what he had not done, was spread out for the

delectation of the public, accompanied by snapshots and photographs

– the latter procured from the local photographer who had once

taken Martin’s picture and who promptly copyrighted it and put it

on the market. At first, so great was his disgust with the

magazines and all bourgeois society, Martin fought against

publicity; but in the end, because it was easier than not to, he

surrendered. He found that he could not refuse himself to the

special writers who travelled long distances to see him. Then

again, each day was so many hours long, and, since he no longer was

occupied with writing and studying, those hours had to be occupied

somehow; so he yielded to what was to him a whim, permitted

interviews, gave his opinions on literature and philosophy, and

even accepted invitations of the bourgeoisie. He had settled down

into a strange and comfortable state of mind. He no longer cared.

He forgave everybody, even the cub reporter who had painted him red

and to whom he now granted a full page with specially posed

photographs.

He saw Lizzie occasionally, and it was patent that she regretted

the greatness that had come to him. It widened the space between

them. Perhaps it was with the hope of narrowing it that she

yielded to his persuasions to go to night school and business

college and to have herself gowned by a wonderful dressmaker who

charged outrageous prices. She improved visibly from day to day,

until Martin wondered if he was doing right, for he knew that all

her compliance and endeavor was for his sake. She was trying to

make herself of worth in his eyes – of the sort of worth he seemed

to value. Yet he gave her no hope, treating her in brotherly

fashion and rarely seeing her.

“Overdue” was rushed upon the market by the Meredith-Lowell Company

in the height of his popularity, and being fiction, in point of

sales it made even a bigger strike than “The Shame of the Sun.”

Week after week his was the credit of the unprecedented performance

of having two books at the head of the list of best-sellers. Not

only did the story take with the fiction-readers, but those who

read “The Shame of the Sun” with avidity were likewise attracted to

the sea-story by the cosmic grasp of mastery with which he had

handled it. First he had attacked the literature of mysticism, and

had done it exceeding well; and, next, he had successfully supplied

the very literature he had exposited, thus proving himself to be

that rare genius, a critic and a creator in one.

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