You key the mike and you get the squawk that no one wants: Check suspicious odor. I have checked suspicious odors. Suspicious? No. This is blazing crime. Fulminant chemistry of death, on the planet of retards. I’ve seen bodies, dead bodies, in tiled morgues, in cell-blocks, in district lockups, in trunks of cars, in project stairwells, in loading-dock doorways, in tractor-trailer turnarounds, in torched rowhouses, in corner carry-outs, in cross alleys, in crawlspaces, and I’ve never seen one that sat with me like the body of Jennifer Rockwell, propped there naked after the act of love and life, saying even this, all this, I leave behind.
A sudden memory. Jesus, where did that come from? I once saw Phyllida Trounce. In the old days, I mean. At the Rockwell place. Sweating booze into the blankets, I turned on my side and fumbled with the latch of the window. And there she was, three feet away, staring. In vigil. We looked at each other. No big thing. Two ghosts saying, Hi, mack…
Phyllida Trounce is still walking. Phyllida’s stepma is still walking, blundering, groaning. We’re all still walking, aren’t we? We’re still persisting, still keeping on, still sleeping, waking, still crouching on cans, still crouching in cars, still driving, driving, driving, still taking it, still eating it, still home-improving and twelve-stepping it, still waiting, still standing in line, still scrabbling in bags for a handful of keys.
Ever have that childish feeling, with the sun on your salty face and ice cream melting in your mouth, the infantile feeling that you want to cancel worldly happiness, turn it down as a false lead? I don’t know. That was the past. And I sometimes think that Jennifer Rockwell came from the future.
Ten o’clock. I will record and then transcribe.
I have nothing to tell Colonel Tom except lies: Jennifer’s lies.
What else can I tell him?
Sir, your daughter didn’t have motives. She just had standards. High ones. Which we didn’t meet.
In the Decoy Room, with Paulie No, when I ordered the second seltzer—that was a sweet moment. The moment of deferral. Tasting far sweeter than what I’m tasting now.
I will record and then transcribe. Oh, Father…
Colonel Tom? Mike.
Yeah, Mike. Listen. You’re sure you want to do it this way?
Colonel Tom, what can I tell you. People point themselves at the world. People show a life to the world. Then you look past that and you see it ain’t so. One minute it’s a clear blue sky. Then you look again and there’s thunderheads all around.
Slow this down, Mike. Can we slow this down?
It measures up, Colonel Tom. It all measures up. Your little girl was on a break. No doctor was giving her that stuff she was taking. She was getting it on the street. On the—
Mike, you’re talking too loud. I—
On the fucking street, Colonel Tom. For a year she was second-guessing her own head. Bax Denziger told me she’d started losing it on the job. And talking about death. About staring at death. And things were coming apart with Trader because she was sizing up some other guy.
Who? What other guy?
Just some guy. Met in a bar. Only a flirt thing maybe but you see what it’s saying? Don’t tell Trader. Don’t tell Miriam because she—
Mike. What’s happening with you?
It’s a pattern. It’s all classic, Colonel Tom. It’s a dunker, man. It’s a piece of shit.
I’m coming over.
I won’t be here. Listen, I’m fine. I’m good—really. Wait…That’s better. I’m just upset with all this. But now it’s made. And you just have to let it be, Colonel Tom. I’m sorry, sir. I’m so sorry.
Mike…
It’s down.
-+=*=+-
There—finished. All gone. Now me I’m heading off to Battery and its long string of dives. I want to call Trader Faulkner and say goodbye but the phone’s ringing again and the night train’s coming and I can hear that dickless sack of shit bending the stairs out of joint and let him see what happens if he tries to stand in my way or just gives me that look or opens his mouth and says so much as one single word.