MEN WITHOUT WOMEN BY ERNEST HEMINGWAY

“Go on out there,” Manuel said.

The gypsy trotted out. Manuel set down the jug and watched. He wiped his face with his handkerchief.

The critic of El Heraldo reached for the bottle of warm champagne that stood between his feet, took a drink, and finished his paragraph.

“—the aged Manolo rated no applause for a vulgar series of lances with the cape and we entered the third of the palings.”

Alone in the centre of the ring the bull stood, still fixed. Fuentes, tall, flat-backed, walking towards him arrogantly, his arms spread out, the two slim, red sticks, one in each hand, held by the fingers, points straight forward. Fuentes walked forward. Back of him and to one side was a peon with a cape. The bull looked at him and was no longer fixed.

His eyes watched Fuentes, now standing still. Now he leaned back, calling to him. Fuentes twitched the two banderillos and the light on the steel points caught the bull’s eye.

His tail went up and he charged.

He came straight, his eyes on the man. Fuentes stood still, leaning back, the banderillos pointing forward. As the bull lowered his head to hook, Fuentes leaned backward, his arms came together and rose, his two hands touching, the banderillos two descending red lines, and leaning forward drove the points into the bull’s shoulder, leaning far in over the bull’s horns and pivoting on the two upright sticks, his legs tight together, his body curving to one side to let the bull pass.

“Olé!” from the crowd.

The bull was hooking wildly, jumping like a trout, all four feet off the ground. The red shafts of the banderillos tossed as he jumped.

Manuel, standing at the barrera, noticed that he hooked always to the right.

“Tell him to drop the next pair on the right,” he said to the kid who started to run out to Fuentes with the new banderillos.

A heavy hand fell on his shoulder. it was Zurito.

“How do you feel, kid?” he asked.

Manuel was watching the bull.

Zurito leaned forward on the barrera, leaning the weight of his body on his arms. Manuel turned to him.

“You’re going good,” Zurito said.

Manuel shook his head. He had nothing to do now until the next third. The gypsy was very good with the banderillos. The bull would come to him in the next third in good shape. He was a good bull. It had all been easy up to now. The final stuff with the sword was all he worried over. He did not really worry. He did not even think about it. But standing there he had a heavy sense of apprehension. He looked out at the bull, planning his faena, his work with the red cloth that was to reduce the bull, to make him manageable.

The gypsy was walking out towards the bull again, walking heel-and-toe, insultingly, like a ballroom dancer, the red shafts of the banderillos twitching with his walk. The bull watched him, not fixed now, hunting him, but waiting to get close enough so he could be sure of getting him, getting the horns into him.

As Fuentes walked forward the bull charged. Fuentes ran across the quarter of a circle as the bull charged and, as he passed running backwards, stopped, swung forward, rose on his toes, arms straight out, and sunk the banderillos straight down into the tight of the big shoulder muscles as the bull missed him.

The crowd were wild about it.

“That kid won’t stay in this night stuff long,” Retana’s man said to Zurito.

“He’s good,” Zurito said.

“Watch him now.”

They watched.

Fuentes was standing with his back against the barrera. Two of the cuadrilla were back of him, with their capes ready to flop over the fence to distract the bull.

The bull, with his tongue out, his barrel heaving, was watching the gypsy. He thought he had him now. Back against the red planks. Only a short charge away. The bull watched him.

The gypsy bent back, drew back his arms, the banderillos pointing at the bull. He called to the bull, stamped one foot. The bull was suspicious. He wanted the man. No more barbs in the shoulder.

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