MIDNIGHT FALCON by David Gemmell

Now, with dusk fast approaching, they would have to camp in this desolate place. It did not seem to worry Bane. As night fell the rain eased away. Somehow Bane managed to light a fire, which hissed and spluttered against the damp wood. Spreading his cloak on the wet ground Bane was soon asleep. Banouin sat alone, feeding branches to the flames.

Fear touched him, and he glanced around. Nothing was to be seen, save for the four Barrows and the bright moon. The fear grew, unfocused and all-consuming. His mouth was dry, his heart beating wildly.

Then he felt their presence . . .

At first all he could see was the night mist, rolling across the field; then it changed, flowing and rising until Banouin could see grey forms, the figures of men, cold and silent. For a moment he thought the scene was born of his fear, unreal – invented. Then the figures took clearer shape, becoming ten ranks of fighting men moving slowly across Cogden Field. Clad in helms of ghostly iron with embossed ear-guards, they carried long, rectangular shields and short stabbing swords.

This was the long-dead army of Stone. Banouin stared at them. Their forms were translucent, and shimmered in the moonlight. When they reached the Barrows, instead of climbing them, they passed right through. There was no sound. The advancing line broke into a run. Banouin glanced to his right. There, pale and spectral, was another line, this time of brightly armoured horsemen. Silently they charged at the enemy, swords as pale as moonlight slashing into them. Banouin saw a man stagger back, his arm hacked from his body. Then a spear ripped through his guts and he fell, the spear snapping in two. Horses fell, pitching their riders, who were stabbed mercilessly as they struggled to rise. All the terrible sights of war unfolded in eerie silence before his eyes.

A black crow glided down to the grass close by and stood, its baleful glare fixed on Banouin. Then a voice sounded from behind, startling him. ‘These are scenes men sing of, and brag of, and lust after.’ Banouin spun round. An old woman stood there, her shoulders hunched beneath a threadbare shawl, her hands clasping a long, crooked staff. Her hair was thin and wispy white, like mist clinging to her skull. She was impossibly ancient. Banouin’s heart began to beat wildly. He knew of this woman, this creature of the Seidh. This was the Morrigu, whose promises tasted of nectar and burned like poison. The young man said nothing, but his dark eyes flicked towards the sleeping Bane. ‘He cannot hear me, and he will not wake,’ said the Morrigu. ‘Will you bid me welcome to your hearth?’

‘You . . . are not welcome here,’ he forced himself to say.

‘How that cuts me,’ she said with a sneer. ‘You, who I delivered safe when nature had decreed your death.’

‘I don’t know what you are talking about,’ he told her.

‘Vorna did not speak of me, then? How disappointing. On the night you were born her life was in danger. The babe – the you that was to be – was breeched, and there were no midwives, no druids on hand to save her – or you. So I came. And you were delivered by these old hands.’

‘I don’t believe you.’

‘Yes, you do, Banouin. It is part of the Gift. You always sense when people are lying.’

‘Even if you did save me, I don’t doubt you had your own reasons,’ he said, his voice firmer.

‘Indeed I did.’ She paused. ‘Well, if I am not welcome here, will you at least walk with me awhile?’

‘Why would I wish to?’

‘Perhaps to prove to yourself that you are not the coward you believe yourself to be. Perhaps to repay your debt to me. Perhaps out of curiosity.’ She stepped closer, and he could see that the skin beneath her right eye had peeled back, exposing the bone beneath. Banouin recoiled. ‘Or perhaps because of your love for your sleeping friend.’ Once more Banouin looked down at Bane. Something moved upon his friend’s chest, and Banouin saw it was a coiled snake. It slithered up, then laid its flat head on Bane’s neck.

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