Bond went and stood beside the chimneypiece. He took out a cigarette and lit it at the flame from a small gas-jet enclosed in a silver grille-a relic of the days before the use of matches-that protruded from the wall beside him.
From where he stood he could see the hand of Meyer, and by moving a pace to the right, of Basildon. His view of Sir Hugo Drax was uninterrupted and he inspected him carefully while appearing to interest himself only in the game.
Drax gave the impression of being a little larger than life. He was physically big-about six foot tall, Bond guessed-and his shoulders were exceptionally broad. He had a big square head and the tight reddish hair was parted in the middle. On either side of the parting the hair dipped down in a curve towards the temples with the object, Bond assumed, of hiding as much as possible of the tissue of shining puckered skin that covered most of the right half of his face. Other relics of plastic surgery could be detected in the man’s right ear, which was not a perfect match with its companion on the left, and the right eye, which had been a surgical failure. It was considerably larger than the left eye, because of a contraction of the borrowed skin used to rebuild the upper and lower eyelids, and it looked painfully bloodshot. Bond doubted if it was capable of closing completely and he guessed that Drax covered it with a patch at night.
To conceal as much as possible of the unsightly taut skin that covered half his face, Drax had grown a bushy reddish moustache and had allowed his whiskers to grow down to the level of the lobes of his ears. He also had patches of hair ‘on his cheek-bones.
The heavy moustache served another purpose. It helped to hide a naturally prognathous upper jaw and a marked protrusion of the upper row of teeth. Bond reflected that this was probably due to sucking his thumb as a child, and it had resulted in an ugly splaying, or diastema, of what Bond had heard his dentist call ‘the centrals’. The moustache helped to hide these ‘ogre’s teeth’ and it was only when Drax uttered, as he frequently did, his short braying laugh that the splay could be seen.
The general effect of the face-the riot of red-brown hair, the powerful nose and jaw, the florid skin-was flamboyant. It put Bond in mind of a ring-master at a circus. The contrasting sharpness and coldness of the left eye supported the likeness.
A bullying, boorish, loud-mouthed vulgarian. That would have been Bond’s verdict if he had not known something of Drax’s abilities. As it was, it crossed his mind that much of the effect might be Drax’s idea of a latter-day Regency buck-the harmless disguise of a man with a smashed face who was also a snob.
Looking for further clues, Bond noticed that Drax was sweating rather freely. Despite the occasional growl of thunder outside it was a cool evening, and yet Drax was constantly mopping his face and neck with a huge bandana handkerchief. He smoked incessantly, stubbing out the cork-tipped Virginia cigarettes after a dozen lungfuls of smoke and almost immediately lighting another from a box of fifty in his coat pocket. His big hands, their backs thickly covered with reddish hair, were always on the move, fiddling with his cards, handling the cigarette lighter that stood beside a plain flat silver cigarette-case in front of him, twisting a lock of hair on the side of his head, using the handkerchief on his face and neck. Occasionally he put a finger greedily to his mouth and worried a nail. Even at a distance Bond could see that every finger-nail was bitten down to the quick.
The hands themselves were strong and capable but the thumbs had something ungainly about them which it took Bond a moment or two to define. He finally detected that they were unnaturally long and reached level with the top joint of the index finger.
Bond concluded his inspection with Drax’s clothes which were expensive and in excellent taste-a dark blue pinstripe in lightweight flannel, double-breasted with turnback cuffs, a heavy white silk shirt with a stiff collar, an unobtrusive tie with a small grey and white check, modest cuff-links, which looked like Cartier, and a plain gold Patek Philippe watch with a black leather strap.