Drax watched carefully, with one eye on the road, as Krebs brought her under control and then he started the car and drove cautiously on along the wooded road. He grunted with satisfaction as he came upon a cart-track into the woods and he turned up it and only stopped when he was well out of sight of the road.
Gala had just realized that there were no noise from the engine when she heard Drax say ‘there’. A finger touched her skull behind the left ear. Krebs arm came away from her throat and she slumped gratefully forward, gasping for air. Then something crashed into the back of her head where the finger had touched it, and there was a flash of wonderfully releasing pain and blackness.
An hour later passers-by saw a white Mercedes draw up outside a small house at the Buckingham Palace end of Ebury Street and two kind gentlemen help a sick girl out and through the front door. Those who were near could see that the poor girl’s face was very pale and that her eyes were shut and that the kind gentlemen almost had to carry her up the steps. The big gentleman with the red face and whiskers was heard to say quite distinctly to the other man that poor Mildred had promised she wouldn’t go out until she was quite well again. Very sad.
Gala came to herself in a large top-floor room that seemed to be full of machinery. She was tied very securely to a chair and apart from the searing pain in her head she could feel that her lips and cheek were bruised and swollen.
Heavy curtains were drawn across the window and there was a musty smell in the room as if it was rarely used. There was dust on the few pieces of conventional furniture and only the chromium and ebonite dials on the machines looked clean and new. She thought that she was probably in hospital. She closed her eyes and wondered. It was not long before she remembered. She spent several minutes controlling herself and then she opened her eyes again.
Drax, his back to her, was watching the dials on a machine that looked like a very large radio set. There were three more similar machines in her line of sight and from one of them a thin steel aerial reached up to a rough hole that had been cut for it in the plaster of the ceiling. The room was brightly lit by several tall standard lamps, each of which held a naked high wattage bulb.
To her left there was a noise of tinkering and by swivelling her half-closed eyes in their sockets, which made the pain in her head much worse, she saw the figure of Krebs bent over an electric generator on the floor. Beside it there was a small petrol engine and it was this that was giving trouble. Every now and then Krebs would grasp the starting-handle and crank it hard and a feeble stutter would come from the engine before he went back to his tinkering.
“You dam’ fool,” said Drax in German, “hurry up. I’ve got to go and see those bloody oafs at the Ministry.”
“At once, mein Kapitän,” said Krebs dutifully. He seized the handle again. This time after two or three coughs the engine started up and began to purr.
“It won’t make too much noise?” asked Drax.
“No, mein Kapitän. The room has been soundproofed,” answered Krebs. “Dr Walter assures me that nothing will be heard outside.”
Gala closed her eyes and decided that her only hope was to feign unconscious for as long as possible. Did they intend to kill her? Here in this room? And what was all this machinery? It looked like wireless, or perhaps radar. That curved glass screen above Drax’s head that had given an occasional flicker as Drax fiddled with the knobs below the dials.
Slowly her mind started to work again. Why, for instance, was Drax suddenly talking perfect German? And why did Krebs address him as Herr Kapitän? And the figures in the black book. Why did they nearly kill her because she had seen them? What did they mean?