Most credibly, she was a wanton who had come out to keep a rendezvous amid the tombs. There were, he knew, certain perverse debauchees who required sepulchral surroundings and furnishings for the titillation of their desires.
“Perhaps you are waiting for some one,” he suggested. “I do not wish to intrude, if such is the case.”
“I wait only for him who is destined to come. And I have waited long, having had no lover for two hundred years. Remain, if you wish: there is no one to fear but me.”
Despite the rational surmises he had formed, there crept along Valzain’s spine the thrill of one who, without fully believing, suspects the presence of a thing beyond nature… Yet surely it was all a game — a game that he too could play for the beguilement of his ennui.
“I came here hoping to meet you,” he declared.. “I am weary of mortal women, tired of every pleasure — tired even of poetry.”
“I, too, am bored,” she said, simply.
The moon had climbed higher, shining on the dress of antique mode that the woman wore. It was cut closely at waist and hips and bosom, with voluminous downward folds. Valzain had seen such costumes only in old drawings. The princess Morthylla, dead for three centuries, might well have worn a similar dress.
Whoever she might be, he thought, the woman was strangely beautiful, with a touch of quaintness in the heavily coiled hair whose color he could not decide in the moonlight. There was a sweetness about her mouth, a shadow of fatigue. or sadness beneath her eyes. At the right corner of her lips he discerned a small mole.
Valzain’s meeting with the self-named Morthylla was repeated nightly while the moon swelled like the rounding breast of a titaness and fell away once more to hollowness and senescence. Always she awaited him by the same mausoleum which, she declared, was her dwelling place. And always she dismissed him when the east turned ashen with dawn, saying that she was a creature of the night.
Skeptical at first, he thought of her as a person with macabre leanings and fantasies akin to his own, with whom he was carrying on a flirtation of singular charm. Yet about her he could find no hint of the worldliness that he suspected: no seeming knowledge of present things, but a weird familiarity with the past and the lamia’s legend. More and more she seemed a nocturnal being, intimate only with shadow and solitude.
Her eyes, her lips, appeared to withhold secrets forgotten and forbidden. In her vague, ambiguous answers to his questions, he read meanings that thrilled him with hope and fear.
“I have dreamed of life,” she told him cryptically. “And I have dreamed also of death. Now, perhaps there is another dream — into which you have entered.”
“I, too, would dream,” said Valzain.
Night after night his disgust and weariness sloughed away from him, in a fascination fed by the spectral milieu, the environing silence of the dead, his withdrawal and separation from the carnal, garish city. By degrees, by alternations of unbelief and belief, he came to accept her as the actual lamia. The hunger that he sensed in her, could be only the lamia’s hunger; her beauty that of a being no longer human. It was like a dreamer’s acceptance of things fantastic elsewhere than in sleep.
Together with his belief, there grew his love for her. The desires he had thought dead revived within him, wilder, more importunate.
She seemed to love him in return. Yet she betrayed no sign of the lamia’s legendary nature, eluding his embrace, refusing him the kisses for which he begged.
“Sometime, perhaps,” she conceded. “But first you must know me for what I am, must love me without illusion.’
“Kill me with your lips, devour me as you are said to have devoured other lovers,” beseeched Valzain.
“Can you not wait?” her smile was sweet — and tantalizing. “I do not wish your death so soon, for I love you too well. Is it not sweet to keep your tryst among the sepulchres? Have I not beguiled you from your boredom? Must you end it all?”
The next night he besought her again, imploring with all his ardor and eloquence the denied consummation.
She mocked him: “Perhaps I am merely a bodiless phantom, a spirit without substance. Perhaps you have dreamed me. Would you risk an awakening from the dream?”
Valzain stepped toward her, stretching out his arms in a passionate gesture. She drew back, saying:
“What if I should turn to ashes and moonlight at your touch? You would regret then your rash insistence.”
“You are the immortal lamia,” avowed Valzain. “My senses tell me that you are no phantom, no disembodied spirit. But for me you have turned all else to shadow.”
“Yes, I am real enough in my fashion,” she granted, laughing softly. Then suddenly she leaned toward him and her lips touched his throat. He felt their moist warmth a moment — and felt the sharp sting of her teeth that barely pierced his skin, withdrawing instantly. Before he could clasp her she eluded him again.
“It is the only kiss permitted to us at present,” she cried, and fled swiftly with soundless footfalls among the gleams and shadows of the sepulchres.
On the following afternoon a matter of urgent and unwelcome business called Valzain to the neighboring city of Psiom: a brief journey, but one that he seldom took.
He passed the ancient necropolis, longing for that nocturnal hour when he could hasten once more to a meeting with Morthylla. Her poignant kiss, which had drawn a few drops of blood, had left him greatly fevered and distraught. He, like that place of tombs, was haunted; and the haunting went with him into Psiom.
He had finished his business, the borrowing of a sum of money from a usurer. Standing at the usurer’s door, with that slightly obnoxious but necessary person beside him, he saw a woman passing on the street.
Her features, though not her dress, were those of Morthylla; and there was even the same tiny mole at one corner of her mouth. No phantom of the cemetery could have startled or dismayed him more profoundly.
“Who is that woman? he asked the moneylender. “Do you know her?”
“Her name is Beldith. She is well-known in Psiom, being rich in her own right and having had numerous lovers. I’ve had a little business with her, though she owes me nothing at present. Should you care to meet her? I can easily introduce you.”
“Yes, I should like to meet her,” agreed Valzain. “She looks strangely like someone that I knew a long time ago.
The usurer peered slyly at the poet. “She might not make too easy a conquest. It is said of late that she has withdrawn herself from the pleasures of the city. Some have seen her going out at night toward the old necropolis, or returning from it in the early dawn. Strange tastes, I’d say, for one who is little more than a harlot. But perhaps she goes out to meet some eccentric lover.”
“Direct me to her house,” Valzain requested. “I shall not need you to introduce me.”
“As you like.” The moneylender shrugged, looking a little disappointed. “It’s not far, anyway.”
Valzain found the house quickly. The woman Beldith was alone. She meet him with a wistful and troubled smile that left no doubt of her identity.
“I perceive that you have learned the truth,” she said “I had meant to tell you soon, for the deception could not have gone on much longer. Will you not forgive me?”
“I forgive you,” returned Valzain sadly. “But why did you deceive me?”
“Because you desired it. A woman tries to please the man whom she loves; and in all love there is more or less deception.
“Like you, Valzain, I had grown tired of pleasure. And I sought the solitude of the necropolis, so remote from carnal things. You too came, seeking solitude and peace — or some unearthly specter. I recognized you at once. And I had read your poems. Knowing Morthylla’s legend, I sought to play a game with you. Playing it, I grew to love you… Valzain, you loved me as the lamia. Can you not now love me for myself?”
“It cannot be,” averred the poet. “I fear to repeat the disappointment I have found in other women. Yet at least I am grateful for the hours you gave me. They were the best I have known — even though I have loved something that did not, and could not, exist. Farewell, Morthylla. Farewell, Beldith.”
When he had gone, Beldith stretched herself face downward among the cushions of her couch. She wept a little; and the tears made a dampness that quickly dried. Later she arose briskly enough and went about her household business.