Mr. Murder. By: Dean R. Koontz

Tuesday night.

Karl raised one hand in the split-finger greeting that Marty recognized

from Star Trek. “Live long and prosper,” he said, and left them.

Marty stood in the gravel driveway, watching the Rover until it reached

the county road, turned left, and dwindled out of sight.

That December and throughout the following year, when the head lines

screamed of the Network scandal, treason, political conspiracy,

assassination, and one world crisis after another, John and Ann Gault

didn’t pay as much attention to the newspapers and the television news

as they had expected they would. They had new lives to build, which was

not a simple undertaking.

Ann cut her blond hair short and dyed it brown. Before meeting any of

their neighbors living in the scattered cabins and ranches of that rural

area, John grew a beard, not to his surprise, it came in more than half

gray, and a lot of gray began to show up on his head, as well.

A simple tint changed Rebecca’s hair from blond to auburn, and Suzie

Lori was sufficiently transformed with a new and much shorter style.

Both girls were growing fast. Time would swiftly blur the resemblance

between them and whoever they once might have been.

Remembering to use new names was easy compared to creating and

committing to memory a simple but credible false past. They made a game

of it, rather like Look Who’s the Monkey Now.

The nightmares were persistent. Though the enemy they had known was as

comfortable in daylight as not, they irrationally viewed each nightfall

with an uneasiness that people had felt in ancient and more

superstitious times. And sudden noises made everybody jump.

Christmas Eve had been the first time that John dared to hope they would

really be able to imagine a new life and find happiness again.

It was then that Suzie Lori inquired about the popcorn.

“What popcorn?” John asked.

“Santa’s evil twin put ten pounds in the microwave,” she said, “even

though that much corn wouldn’t fit. But even if it would fit, what

happened when it started to pop?”

That night, story hour was held for the first time in more than three

weeks. Thereafter, it became routine.

In late January, they felt safe enough to register Rebecca and Suzie

Lori in the public school system.

By spring, there were new friends and a growing store of Gault family

memories that were not fabricated.

Because they had seventy thousand in cash and owned their humble house

outright, they were under little pressure to find work.

They also had four boxes full of the first editions of the early novels

of Martin Stillwater. The cover of Time magazine had asked a question

that would never be answered–Where is Martin Stillwater?–and first

editions that had once been worth a couple of hundred dollars each on

the collectors’ market had begun selling, by spring, for five times that

price, they would probably continue to appreciate faster than blue-chip

investments in the years to come. Sold one or two at a time, in far

cities, they would keep the family nest egg fat during lean years.

John presented himself to new neighbors and acquaintances as a former

insurance salesman from New York City. He claimed to have come into a

substantial though not enormous inheritance. He was indulging a

lifelong dream of living in a rural setting, struggling to be a poet.

“If I don’t start selling some poems in a few years, maybe I’ll write a

novel,” he sometimes said, “and if that doesn’t turn out right–then

I’ll start worrying.”

Ann was content to be seen as a housewife, however, freed from the

pressures of the past–troubled clients and freeway commuting–she

rediscovered a talent for drawing that she had not tapped since high

school. She began doing illustrations for the poems and stories in her

husband’s ring-bound notebook of original compositions, which he had

been writing for years, Stories for Rebecca and Suzie Lori.

They had lived in Wyoming five years when Santa’s Evil Twin by John

Gault with illustrations by Ann Gault became a smash Christmas

bestseller. They allowed no jacket photo of author and artist. They

politely declined offers of promotional tours and interviews, prefer

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