Mr. Murder. By: Dean R. Koontz

steering wheel–though it might not be a person at all but a talisman

hidden elsewhere in the vehicle, a magical object beyond his

understanding and to which his destiny is linked for reasons yet

unclear.

The killer almost starts the Honda to follow the attractant, but decides

the stranger in the Ford will return sooner or later.

He puts on his shoulder holster, slips the pistol into it, and shrugs

into the leather jacket.

From the glove compartment, he removes the zippered leather case that

contains his set of burglary tools. It includes seven springsteel

picks, an L-shaped tension tool, and a miniature aerosol can of graphite

lubricant.

He gets out of the car and proceeds boldly along the sidewalk toward the

house.

At the end of the driveway stands a white mailbox on which is stenciled

a single name–STILLWATER. Those ten black letters seem to possess

symbolic power. Still water. Calm. Peace. He has found still water.

He has come through much turbulence, violent rapids and whirlpools, and

now he has found a place where he can rest, where his soul will be

soothed.

Between the garage and the property-line fence, he opens the gravity

latch on a wrought-iron gate. He follows a walkway flanked by the

garage on his left and a head-high eugenia hedge on his right, all the

way to the rear of the house.

The shallow backyard is lushly planted. It boasts mature ficus trees

and a continuation of the sideyard eugenia hedge, which screen him from

the prying eyes of neighbors.

The patio is sheltered by an open-beam redwood cover through which

thorny trailers of bougainvillea are densely intertwined.

Even on this last day of November, clusters of blood-red flowers fringe

the patio roof. The concrete floor is spattered with fallen petals, as

though a hard-fought battle was waged here.

A kitchen door and large sliding glass door provide two possible

entrances from the patio. Both are locked.

The sliding door, beyond which he can see a deserted family room with

comfortable furniture and a large television, is further secured by a

wooden pole wedged into the interior track. If he gets through the

lock, he nevertheless will need to break the glass to reach inside and

remove the pole.

He knocks sharply on the other door, although the window beside it

reveals that no one is in the kitchen. When there is no response, he

knocks again with the same result.

From his compact kit of burglary tools, he withdraws the can of

graphite. Crouching before the door, he sprays the lubricant into the

lock. Dirt, rust, or other contamination can bind the pin tumblers.

He trades the graphite spray for the tension tool and that pick known as

a “rake.” He inserts the L-shaped wrench first to maintain the

necessary tension on the lock core. He pushes the rake into the key

channel as deep as it will go, then brings it up until he feels it press

against the pins. Squinting into the lock, he rapidly draws the rake

out, but it does not raise all of the pin tumblers to their shear point,

so he tries again, and again, and finally on the sixth try the channel

seems to be clear.

He turns the knob.

The door opens.

He half expects an alarm to go off, but there is no siren. A quick scan

of the header and jamb fails to reveal magnetic switches, so there must

not be a silent alarm, either.

After he puts the tools away and zippers shut the leather case, he steps

across the threshold and softly closes the door behind him.

He stands for a while in the cool, shadowy kitchen, absorbing the

vibrations, which are good. This house welcomes him. Here, his future

begins, and it will be immeasurably brighter than his confused and

amnesia-riddled past.

As he moves out of the kitchen to explore the premises, he does not draw

the P7 from his shoulder holster. He is sure that no one is at home. He

senses no danger, only opportunity.

“I need to be someone,” he tells the house, as if it is a living entity

with the power to grant his wishes.

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