Mr. Murder. By: Dean R. Koontz

more welcoming room. The floral-pattern sofa with its variety of throw

pillows lent a lot of charm, and each of three plushly upholstered

armchairs was commodious enough to permit young guests to curl up

entirely on the seat with their legs tucked under them if they wished.

Celadon lamps with fringed silk shades cast a warm light that glimmered

in the bibelots on the end tables and in the glazes of Lladro porcelain

figurines in the mahogany breakfront.

Paige usually offered hot chocolate and cookies, or pretzels with a cold

glass of cola, and conversation was facilitated because the overall

effect was like being at Grandma’s house. At least it was how Grandma’s

house had been in the days when no grandma ever underwent plastic

surgery, had herself reconfigured by liposuction, divorced Grandpa to

Vegas with her boyfriend for the weekend.

Most clients, on their first visit, were astonished not to find the

collected works of Freud, a therapy couch, and the too-solemn atmosphere

of a psychiatrist’s office. Even when she reminded them that she was

not a psychiatrist, not a medical doctor at all, but a counselor with a

degree in psychology who saw “clients” rather than “patients,” people

with communication problems rather than neuroses or psychoses, they

remained bewildered for the first half an hour or so.

Eventually the room–and, she liked to think, her relaxed approach–won

them over.

Paige’s two o’clock appointment, the last of the day, was with Samantha

Acheson and her eight-year-old son, Sean. Samantha’s first husband,

Sean’s father, had died shortly after the boy’s fifth birthday.

Two and a half years later, Samantha remarried, and Sean’s behavioral

problems began virtually on the wedding day, an obvious result of his

misguided conviction that she had betrayed his dead father and might one

day betray him as well. For five months, Paige had met twice a week

with the boy, winning his trust, opening lines of communication, so they

could discuss the pain and fear and anger he was unable to talk about

with his mother. Today, Samantha was to participate for the first time,

which was an important step because progress was usually swift once the

child was ready to say to the parent what he had said to his counselor.

She sat in the armchair she reserved for herself and reached to the end

table for the reproduction-antique telephone, which was both a working

phone and an intercom to the reception lounge. She intended to ask

Millie, her secretary, to send in Samantha and Sean Acheson, but the

intercom buzzed before she lifted the receiver.

“Marty’s on line one, Paige.”

“Thank you, Millie.” She pressed line one. “Marty?”

He didn’t respond.

“Marty, are you there?” she asked, looking to see if she had punched

the correct button.

Line one was lit, but there was only silence on it.

“Marty?”

“I like the sound of your voice, Paige. So melodic.”

He sounded . . . odd.

Her heart began to knock against her. ribs, and she struggled to

suppress the fear that swelled in her. “What did the doctor say?”

“I like your picture.”

“My picture?” she said, baffled.

“I like your hair, your eyes.”

“Marty, I don’t–”

“You’re what I need.”

Her mouth had gone dry. “Is something wrong?”

Suddenly he spoke very fast, running sentences together, “I want to kiss

you, Paige, kiss your breasts, hold you against me, make love to you, I

will make you very happy, I want to be in you, it will be just like the

movies, bliss.”

“Marty, honey, what–” He hung up, cutting her off.

As surprised and confused as she was worried, Paige listened to the dial

tone before returning the handset to the cradle.

What the hell?

It was two o’clock, and she doubted that his appointment with Guthridge

had lasted an hour, therefore, he hadn’t phoned her from the doctor’s

office. On the other hand, he wouldn’t have had time to drive all the

way home, which meant he had called her enroute.

She lifted the handset and punched in the number of his car phone. He

answered on the second ring, and she said, “Marty, what the hell’s

wrong?”

“Paige?”

“What was that all about?”

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