Much Ado About Nothing by William Shakespeare, 1564-1616

town, are come to fetch you to church.

HERO Help to dress me, good coz, good Meg, good Ursula.

Exeunt

Scene 5

Another room in LEONATO’S house.

Enter LEONATO, with DOGBERRY and VERGES

LEONATO What would you with me, honest neighbour?

DOGBERRY Marry, sir, I would have some confidence with you

that decerns you nearly.

LEONATO Brief, I pray you; for you see it is a busy time with me.

DOGBERRY Marry, this it is, sir.

VERGES Yes, in truth it is, sir.

LEONATO What is it, my good friends?

DOGBERRY Goodman Verges, sir, speaks a little off the

matter: an old man, sir, and his wits are not so

blunt as, God help, I would desire they were; but,

in faith, honest as the skin between his brows.

VERGES Yes, I thank God I am as honest as any man living

that is an old man and no honester than I.

DOGBERRY Comparisons are odorous: palabras, neighbour Verges.

LEONATO Neighbours, you are tedious.

DOGBERRY It pleases your worship to say so, but we are the

poor duke’s officers; but truly, for mine own part,

if I were as tedious as a king, I could find it in

my heart to bestow it all of your worship.

LEONATO All thy tediousness on me, ah?

DOGBERRY Yea, an ’twere a thousand pound more than ’tis; for

I hear as good exclamation on your worship as of any

man in the city; and though I be but a poor man, I

am glad to hear it.

VERGES And so am I.

LEONATO I would fain know what you have to say.

VERGES Marry, sir, our watch to-night, excepting your

worship’s presence, ha’ ta’en a couple of as arrant

knaves as any in Messina.

DOGBERRY A good old man, sir; he will be talking: as they

say, when the age is in, the wit is out: God help

us! it is a world to see. Well said, i’ faith,

neighbour Verges: well, God’s a good man; an two men

ride of a horse, one must ride behind. An honest

soul, i’ faith, sir; by my troth he is, as ever

broke bread; but God is to be worshipped; all men

are not alike; alas, good neighbour!

LEONATO Indeed, neighbour, he comes too short of you.

DOGBERRY Gifts that God gives.

LEONATO I must leave you.

DOGBERRY One word, sir: our watch, sir, have indeed

comprehended two aspicious persons, and we would

have them this morning examined before your worship.

LEONATO Take their examination yourself and bring it me: I

am now in great haste, as it may appear unto you.

DOGBERRY It shall be suffigance.

LEONATO Drink some wine ere you go: fare you well.

Enter a Messenger

Messenger My lord, they stay for you to give your daughter to

her husband.

LEONATO I’ll wait upon them: I am ready.

Exeunt LEONATO and Messenger

DOGBERRY Go, good partner, go, get you to Francis Seacole;

bid him bring his pen and inkhorn to the gaol: we

are now to examination these men.

VERGES And we must do it wisely.

DOGBERRY We will spare for no wit, I warrant you; here’s

that shall drive some of them to a non-come: only

get the learned writer to set down our

excommunication and meet me at the gaol.

Exeunt

Act 4

Scene 1

A church.

Enter DON PEDRO, DON JOHN, LEONATO, FRIAR FRANCIS, CLAUDIO, BENEDICK, HERO, BEATRICE, and Attendants

LEONATO Come, Friar Francis, be brief; only to the plain

form of marriage, and you shall recount their

particular duties afterwards.

FRIAR FRANCIS You come hither, my lord, to marry this lady.

CLAUDIO No.

LEONATO To be married to her: friar, you come to marry her.

FRIAR FRANCIS Lady, you come hither to be married to this count.

HERO I do.

FRIAR FRANCIS If either of you know any inward impediment why you

should not be conjoined, charge you, on your souls,

to utter it.

CLAUDIO Know you any, Hero?

HERO None, my lord.

FRIAR FRANCIS Know you any, count?

LEONATO I dare make his answer, none.

CLAUDIO O, what men dare do! what men may do! what men daily

do, not knowing what they do!

BENEDICK How now! interjections? Why, then, some be of

laughing, as, ah, ha, he!

CLAUDIO Stand thee by, friar. Father, by your leave:

Will you with free and unconstrained soul

Give me this maid, your daughter?

LEONATO As freely, son, as God did give her me.

CLAUDIO And what have I to give you back, whose worth

May counterpoise this rich and precious gift?

DON PEDRO Nothing, unless you render her again.

CLAUDIO Sweet prince, you learn me noble thankfulness.

There, Leonato, take her back again:

Give not this rotten orange to your friend;

She’s but the sign and semblance of her honour.

Behold how like a maid she blushes here!

O, what authority and show of truth

Can cunning sin cover itself withal!

Comes not that blood as modest evidence

To witness simple virtue? Would you not swear,

All you that see her, that she were a maid,

By these exterior shows? But she is none:

She knows the heat of a luxurious bed;

Her blush is guiltiness, not modesty.

LEONATO What do you mean, my lord?

CLAUDIO Not to be married,

Not to knit my soul to an approved wanton.

LEONATO Dear my lord, if you, in your own proof,

Have vanquish’d the resistance of her youth,

And made defeat of her virginity,–

CLAUDIO I know what you would say: if I have known her,

You will say she did embrace me as a husband,

And so extenuate the ‘forehand sin:

No, Leonato,

I never tempted her with word too large;

But, as a brother to his sister, show’d

Bashful sincerity and comely love.

HERO And seem’d I ever otherwise to you?

CLAUDIO Out on thee! Seeming! I will write against it:

You seem to me as Dian in her orb,

As chaste as is the bud ere it be blown;

But you are more intemperate in your blood

Than Venus, or those pamper’d animals

That rage in savage sensuality.

HERO Is my lord well, that he doth speak so wide?

LEONATO Sweet prince, why speak not you?

DON PEDRO What should I speak?

I stand dishonour’d, that have gone about

To link my dear friend to a common stale.

LEONATO Are these things spoken, or do I but dream?

DON JOHN Sir, they are spoken, and these things are true.

BENEDICK This looks not like a nuptial.

HERO True! O God!

CLAUDIO Leonato, stand I here?

Is this the prince? is this the prince’s brother?

Is this face Hero’s? are our eyes our own?

LEONATO All this is so: but what of this, my lord?

CLAUDIO Let me but move one question to your daughter;

And, by that fatherly and kindly power

That you have in her, bid her answer truly.

LEONATO I charge thee do so, as thou art my child.

HERO O, God defend me! how am I beset!

What kind of catechising call you this?

CLAUDIO To make you answer truly to your name.

HERO Is it not Hero? Who can blot that name

With any just reproach?

CLAUDIO Marry, that can Hero;

Hero itself can blot out Hero’s virtue.

What man was he talk’d with you yesternight

Out at your window betwixt twelve and one?

Now, if you are a maid, answer to this.

HERO I talk’d with no man at that hour, my lord.

DON PEDRO Why, then are you no maiden. Leonato,

I am sorry you must hear: upon mine honour,

Myself, my brother and this grieved count

Did see her, hear her, at that hour last night

Talk with a ruffian at her chamber-window

Who hath indeed, most like a liberal villain,

Confess’d the vile encounters they have had

A thousand times in secret.

DON JOHN Fie, fie! they are not to be named, my lord,

Not to be spoke of;

There is not chastity enough in language

Without offence to utter them. Thus, pretty lady,

I am sorry for thy much misgovernment.

CLAUDIO O Hero, what a Hero hadst thou been,

If half thy outward graces had been placed

About thy thoughts and counsels of thy heart!

But fare thee well, most foul, most fair! farewell,

Thou pure impiety and impious purity!

For thee I’ll lock up all the gates of love,

And on my eyelids shall conjecture hang,

To turn all beauty into thoughts of harm,

And never shall it more be gracious.

LEONATO Hath no man’s dagger here a point for me?

HERO swoons

BEATRICE Why, how now, cousin! wherefore sink you down?

DON JOHN Come, let us go. These things, come thus to light,

Smother her spirits up.

Exeunt DON PEDRO, DON JOHN, and CLAUDIO

BENEDICK How doth the lady?

BEATRICE Dead, I think. Help, uncle!

Hero! why, Hero! Uncle! Signior Benedick! Friar!

LEONATO O Fate! take not away thy heavy hand.

Death is the fairest cover for her shame

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