MURDER ON THE ORIENT EXPRESS by Agatha Christie

And from there on, M. Bouc’s thoughts went along a well-worn course which they had already traversed some hundred times.

Dr. Constantine’s thoughts ran thus:

“He is queer, this little man. A genius? Or a crank? Will he solve this mystery? Impossible—I can see no way out of it. It is all too confusing. … Everyone is lying, perhaps. … But even then, that does not help one. If they are all lying, it is just as confusing as if they were speaking the truth. Odd about those wounds. I cannot understand it. … It would be easier to understand if he had been shot—after all, the term ‘gunman’ must mean that they shoot with a gun. A curious country, America. I should like to go there. It is so progressive. When I get home I must get hold of Demetrius Zagone—he has been to America, he has all the modern ideas. … I wonder what Zia is doing at this moment. If my wife ever finds out—”

His thoughts went on to entirely private matters. …

Hercule Poirot sat very still.

One might have thought he was asleep.

And then, suddenly, after a quarter of an hour’s complete immobility his eyebrows began to move slowly up his forehead. A little sigh escaped him. He murmured beneath his breath.

“But after all, why not? And if so—why, if so, that would explain everything.”

His eyes opened. They were green like a cat’s. He said softly: “Eh bien. I have thought. And you?”

Lost in their reflections, both men started violently.

“I have thought also,” said M. Bouc, just a shade guiltily. “But I have arrived at no conclusion. The elucidation of crime is your métier, not mine, my friend.”

“I, too, have reflected with great earnestness,” said the doctor, unblushingly recalling his thoughts from certain pornographic details. “I have thought of many possible theories, but not one that really satisfies me.”

Poirot nodded amiably. His nod seemed to say:

“Quite right. That is the proper thing to say. You have given me the cue I expected.”

He sat very upright, threw out his chest, caressed his moustache and spoke in the manner of a practised speaker addressing a public meeting.

“My friends, I have reviewed the facts in my mind, and have also gone over to myself the evidence of the passengers—with this result: I see, nebulously as yet, a certain explanation that would cover the facts as we know them. It is a very curious explanation, and I cannot be sure as yet that it is the true one. To find out definitely I shall have to make certain experiments.

“I would like first to mention certain points which appear to me suggestive. Let us start with a remark made to me by M. Bouc in this very place on the occasion of our first lunch together on the train. He commented on the fact that we were surrounded by people of all classes, of all ages, of all nationalities. That is a fact somewhat rare at this time of year. The Athens-Paris and the Bucharest-Paris coaches, for instance, are almost empty. Remember also, the passenger who failed to turn up. He is, I think, significant. Then there are some minor points that strike me as suggestive—for instance, the position of Mrs. Hubbard’s sponge-bag, the name of Mrs. Armstrong’s mother, the detective methods of M. Hardman, the suggestion of M. MacQueen that Ratchett himself destroyed the charred note we found, Princess Dragomiroff’s Christian name, and a grease spot on a Hungarian passport.”

The two men stared at him.

“Do they suggest anything to you, those points?” asked Poirot.

“Not a thing,” said M. Bouc frankly.

“And M. le docteur?”

“I do not understand in the least what you are talking of.”

M. Bouc, meanwhile, seizing upon the one tangible thing his friend had mentioned, was sorting through the passports. With a grunt he picked up that of Count and Countess Andrenyi and opened it.

“Is this what you mean? This dirty mark?”

“Yes. It is a fairly fresh grease spot. You notice where it occurs?”

“At the beginning of the description of the Count’s wife—her Christian name, to be exact. But I confess that I still do not see the point.”

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