MY UNCLE OSWALD by Roald Dahl

“And at that very moment, Oswald,” Yasmin said to me, “the Beetle suddenly hit him and his old doodly came alive and stuck out as though he had a walking-stick in his trousers.”

“You timed it lovely,” I said.

“Not bad, was it? So I thrust out my arm and pointed an accusing finger and shouted, ‘There! It’s happening to you, you old goat! My electricity has jolted you! Will you believe me now, Doctor Freud? Will you believe what I am saying?’

“You should have seen his face, Oswald. You really should have seen it. The Beetle was hitting him and the sexcrazy glint was coming into his eyes and he was beginning to flap his arms like an old crow. But I’ll say this for him. He didn’t jump me right away. He held off for at least a minute or so while he tried to analyze what the hell was happening. He looked down at his trousers. Then he looked up at me. Then he started muttering. ‘This is incredible! . . . amazing! . . . unbelievable! . . . I must make notes, I must record every moment. Vere is my pen, for God’s sake? Vere is the ink? Vere is some paper? Oh, to hell with the paper! Please remove your clothes, fräulein! I cannot vait any longer!’”

“Must have shaken him,” I said.

“Shook him rigid,” Yasmin said. “It was undermining one of his most famous theories.”

“You didn’t hatpin him, did you?”

“Of course not. He was really very decent about it all. As soon as he’d had his first explosion, and although the Beetle was still hitting him hard, he jumped away and ran back to his desk stark naked and began writing notes. He must be terrifically strong-minded. Great intellectual curiosity. But he was completely foxed and bewildered by what had happened to him.

“‘Do you believe me now, Doctor Freud?’ I asked him.

“‘I have to believe you!’ he cried. ‘You have opened up a whole new field vith this sexual electricity of yours! This case vill make history! I must see you again, fräulein!’

“‘You’ll jump me,’ I said. ‘You won’t be able to stop yourself.’

“‘I know,’ he said, smiling for the first time. ‘I know that, fräulein. I know.’”

I got fifty first-class straws from Dr. Freud.

23

FROM VIENNA we drove north in the pale autumn sunshine to Berlin. The war had been over for only eleven months and the city was bleak and dreary, but we had two important persons to visit here and I was determined to collar them. The first was Mr. Albert Einstein, and at his house at Haberlandstrasse 9 Yasmin had a pleasant and successful encounter with this amazing fellow.

“How was it?” I said, asking her the usual question in the car.

“He had a great time,” she said.

“Didn’t you?”

“Not really,” she said. “He’s all brains and no body. Give me Puccini any day.”

“Will you please try to forget that Italian Romeo?”

“Yes, Oswald, I will. But I’ll tell you what’s odd. The brainy ones, the great intellects behave quite differently from the artistic ones when the Beetle hits them.”

“How?”

“The brainy ones stop and think. They try to figure out what on earth has happened to them and why it’s happened. The artists just take it for granted and plunge right in.”

“What was Einstein’s reaction?”

“He couldn’t believe it,” she said. “In fact he smelled a rat. He’s the very first one who has ever suspected us of jiggery-pokery. Shows how bright he is.”

“What did he say?”

“He stood there and looked at me from under those bushy eyebrows and he said, ‘There is something extremely fishy here, fräulein. This is not my normal reaction to a pretty visitor.’

“‘Doesn’t that depend on how pretty she is?’ I said. “‘No, fräulein, it does not,’ he said. ‘Was that an ordinary chocolate you gave me?’

“‘Perfectly ordinary,’ I said, quaking a bit. ‘I had one myself.’

“The little chap was strongly hotted up by the Beetle, Oswald, but like old Freud, he managed to hold off in the beginning. He paced up and down the room muttering, “What is happening to me? This is not natural. . . . There is something wrong. . . . I would never allow this. . . .’

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