NIGHT TRAIN BY MARTIN AMIS

Now, honey, this could be important.

“Number 43. Yeah. The one with the cherry tree.”

Think carefully, sweetheart.

“My chain came loose? I was trying to fix the chain?”

Go on, honey.

“And a man came out?”

What did he look like, sweetheart?

“Poor.”

Poor? Honey, what do you mean? Like shabby?

“He had patches on his clothes.”

It took me a second. He had patches on his elbows. Poor. That’s right: Don’t they say the darnedest things?

Sweetheart. How’d he seem?

“He looked mad. I wanted to ask him to help me but I didn’t.”

And soon I’m saying, “Thanks, honey. Thanks, ma’am.”

When I badge my way from door to door like this, and the women see me coming up the path—I don’t know what they think. There I am in my parka, my black jeans. They think I’m a diesel. Or a truck driver from the Soviet Union. But the men know at once what I am. Because I give them the eyeball— absolutely direct. As a patrol cop, on the street, that’s the first thing you have to train yourself to do: Stare at men. In the eyes. And then when I was plainclothes, and undercover, I had to train myself out of it, all over again. Because no other kind of woman on earth, not a movie star, not a brain surgeon, not a head of state, will stare at a man the way a police stares.

Back home I field the usual ten messages from Colonel Tom. He veers around, racking his brains for shit on Trader. A prior record of instability and temper-loss that amounts to a few family disagreements and a scuf­fle in a bar five years ago. Examples of impatience, of less than perfect gallantry, around Jennifer. Times he let her walk by a puddle without dunking his coat in it.

Colonel Tom is losing the story line. I wish he could hear how he sounds. Some of his beefs are so smallprint, they make me think of diss murders. Diss murders: When someone gets blown in half for a breach of form that would have slipped by Emily Post.

“What’s the game plan, Mike?”

I told him. Jesus… Anyway, he seemed broadly satisfied.

If the jury is still out on women police, then the jury is still out on Tobe. Still out, after all these months, and still hollering for transcripts of the judge’s opening address.

Right now the guy is next door watching a taped quiz show where the contestants have been instructed beforehand to jump up and down and scream and whoop and french each other every time they get an answer right. The multiple-choice questions do not deal in matters of fact. They deal in hearsay. The con­testants respond, not with what they think, but with what they think everybody else thinks.

I just went through and sat on the great couch of Tobe’s lap for five minutes and watched them doing it. Grown adults acting like five-year-olds at a birthday party, with this routine: What do Americans think is America’s favorite breakfast? Cereal. Boing. Only 23 percent. Coffee and toast? Wheel All right.

What do Americans think is America’s choice sui­cide method. Sleeping pills. Yeah! Ow!

Where do Americans think France is? In Canada. Get down!

March 11

There’s an obit in this morning’s Sunday Times. In its blandness and brevity you can feel the exertion of all Tom Rockwell’s heft.

Just a resume, plus manner of death (“as yet undetermined”). And a photograph. This must have been taken, what, about five years ago? She is smiling with childish lack of restraint. Like you’d just told her something wonderful. If you skimmed over this pho­tograph—the smile, the delighted eyes, the short hair emphasizing the long neck, the clean jaw—you’d think that here was someone who was about to get married kind of early. Not someone who had suddenly died.

Dr. Jennifer Rockwell. And her dates.

The little girl on Whitman, with her pink ribbons and bobby socks? She didn’t hear anything, on March fourth. Today, however, I went to see someone who did.

Mrs. Rolfe, the old dame on the top floor. It’s half after five and she’s half in the bag. So I don’t expect much. And I don’t get much. It’s sweet sherry she’s drinking: The biggest bang for the buck. Mr. Rolfe died many years ago and she’s quietly splashing her way through a widowhood that’s lasting longer than her marriage.

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