None So Blind by Joe Haldeman

did work is what made Cletus ask “Why aren’t all blind people geniuses?”

Of course there have always been great thinkers and writers and composers who

were blind (and in the twentieth century, some painters to whom eyesight was

irrelevant), and many of them, like Amy with her violin, felt that their talent

was a compensating gift. Cletus wondered whether there might be a literal truth

to that, in the micro-anatomy of the brain. It didn’t happen every time, or else

all blind people would be geniuses. Perhaps it happened occasionally, through a

mechanism like the one that helped people recover from strokes. Perhaps it could

be made to happen.

Cletus had been offered scholarships at both Harvard and MIT, but he opted for

Columbia, in order to be near Amy while she was studying at Julliard. Columbia

reluctantly allowed him a triple major in physiology, electrical engineering,

and cognitive science, and he surprised everybody who knew him by doing only

moderately well. The reason, it turned out, was that he was treating

undergraduate work as a diversion at best; a necessary evil at worst. He was

racing ahead of his studies in the areas that were important to him.

If he had paid more attention in trivial classes like history, like philosophy,

things might have turned out differently. If he had paid attention to literature

he might have read the story of Pandora.

Our own story now descends into the dark recesses of the brain. For the next ten

years the main part of the story, which we will try to ignore after this

paragraph, will involve Cletus doing disturbing intellectual tasks like cutting

up dead brains, learning how to pronounce cholecystokinin, and sawing holes in

peoples’ skulls and poking around inside with live electrodes.

In the other part of the story, Amy also learned how to pronounce

cholecystokinin, for the same reason that Cletus learned how to play the violin.

Their love grew and mellowed, and at the age of 19, between his first doctorate

and his M.D., Cletus paused long enough for them to be married and have a

whirlwind honeymoon in Paris, where Cletus divided his time between the musky

charms of his beloved and the sterile cubicles of Institute Marey, learning how

squids learn things, which was by serotonin pushing adenylate cyclase to

catalyze the synthesis of cyclic adenosine monophosphate in just the right

place, but that’s actually the main part of the story, which we have been trying

to ignore, because it gets pretty gruesome.

They returned to New York, where Cletus spent eight years becoming a pretty good

neurosurgeon. In his spare time he tucked away a doctorate in electrical

engineering. Things began to converge.

At the age of thirteen, Cletus had noted that the brain used more cells

collecting, handling, and storing visual images than it used for all the other

senses combined. “Why aren’t all blind people geniuses?” was just a specific

case of the broader assertion, “The brain doesn’t know how to make use of what

it’s got.” His investigations over the next fourteen years were more subtle and

complex than that initial question and statement, but he did wind up coming

right back around to them.

Because the key to the whole thing was the visual cortex.

When a baritone saxophone player has to transpose sheet music from cello, he

(few women are drawn to the instrument) merely pretends that the music is

written in treble clef rather than bass, eyeballs it up an octave, and then

plays without the octave key pressed down. It’s so simple a child could do it,

if a child wanted to play such a huge, ungainly instrument. As his eye dances

along the little fenceposts of notes, his fingers automatically perform a

one-to-one transformation that is the theoretical equivalent of adding and

subtracting octaves, fifths, and thirds, but all of the actual mental work is

done when he looks up in the top right corner of the first page and says, “Aw

hell. Cello again.” Cello parts aren’t that interesting to saxophonists.

But the eye is the key, and the visual cortex is the lock. When blind Amy

“sight-reads” for the violin, she has to stop playing and feel the Braille notes

Pages: 1 2 3 4 5 6

Leave a Reply 0

Your email address will not be published. Required fields are marked *