Of Claire’s movements between the time when she secured her ticket at the steamship offices at Southampton and the moment when she entered Reigelheimer’s Restaurant it is not necessary to give a detailed record. She had had the usual experiences of the ocean voyager. She had fed, read, and gone to bed. The only notable event in her trip had been her intimacy with Mr Dudley Pickering.
Dudley Pickering was a middle-aged Middle Westerner, who by thrift and industry had amassed a considerable fortune out of automobiles. Everybody spoke well of Dudley Pickering. The papers spoke well of him, Bradstreet spoke well of him, and he spoke well of himself. On board the liner he had poured the saga of his life into Claire’s attentive ears, and there was a gentle sweetness in her manner which encouraged Mr Pickering mightily, for he had fallen in love with Claire on sight.
It would seem that a schoolgirl in these advanced days would know what to do when she found that a man worth millions was in love with her; yet there were factors in the situation which gave Claire pause. Lord Dawlish, of course, was one of them. She had not mentioned Lord Dawlish to Mr Pickering, and–doubtless lest the sight of it might pain him–she had abstained from wearing her engagement ring during the voyage. But she had not completely lost sight of the fact that she was engaged to Bill. Another thing that caused her to hesitate was the fact that Dudley Pickering, however wealthy, was a most colossal bore. As far as Claire could ascertain on their short acquaintance, he had but one subject of conversation–automobiles.
To Claire an automobile was a shiny thing with padded seats, in which you rode if you were lucky enough to know somebody who owned one. She had no wish to go more deeply into the matter. Dudley Pickering’s attitude towards automobiles, on the other hand, more nearly resembled that of a surgeon towards the human body. To him a car was something to dissect, something with an interior both interesting to explore and fascinating to talk about. Claire listened with a radiant display of interest, but she had her doubts as to whether any amount of money would make it worth while to undergo this sort of thing for life. She was still in this hesitant frame of mind when she entered Reigelheimer’s Restaurant, and it perturbed her that she could not come to some definite decision on Mr Pickering, for those subtle signs which every woman can recognize and interpret told her that the latter, having paved the way by talking machinery for a week, was about to boil over and speak of higher things.
At the very next opportunity, she was certain, he intended to propose.
The presence of Lady Wetherby acted as a temporary check on the development of the situation, but after they had been seated at their table a short time the lights of the restaurant were suddenly lowered, a coloured limelight became manifest near the roof, and classical music made itself heard from the fiddles in the orchestra.
You could tell it was classical, because the banjo players were leaning back and chewing gum; and in New York restaurants only death or a classical speciality can stop banjoists.
There was a spatter of applause, and Lady Wetherby rose.
‘This,’ she explained to Claire, ‘is where I do my stunt. Watch it. I invented the steps myself. Classical stuff. It’s called the Dream of Psyche.’
It was difficult for one who knew her as Claire did to associate Polly Wetherby with anything classical. On the road, in England, when they had been fellow-members of the Number Two company of -The Heavenly Waltz-, Polly had been remarkable chiefly for a fund of humorous anecdote and a gift, amounting almost to genius, for doing battle with militant landladies. And renewing their intimacy after a hiatus of a little less than a year Claire had found her unchanged.
It was a truculent affair, this Dream of Psyche. It was not so much dancing as shadow boxing. It began mildly enough to the accompaniment of -pizzicato- strains from the orchestra–Psyche in her training quarters. -Rallentando—Psyche punching the bag. -Diminuendo—Psyche using the medicine ball. -Presto—Psyche doing road work. -Forte—The night of the fight. And then things began to move to a climax. With the fiddles working themselves to the bone and the piano bounding under its persecutor’s blows, Lady Wetherby ducked, side-stepped, rushed, and sprang, moving her arms in a manner that may have been classical Greek, but to the untrained eye looked much more like the last round of some open-air bout.