Patricia Cornwell – Portrait Of A Killer Jack The Ripper

Perhaps it did not occur to Dr. Phillips that the reflex of any con­scious person who is hemorrhaging is to clutch the wound. When Eliz­abeth’s throat was cut, she would have instantly grabbed her neck. It also made no sense to assume that Elizabeth Stride was pushed to the ground before she was killed. Why didn’t she cry out or struggle when the killer grabbed her and forced her down? Nor is it likely that the Ripper cut her throat from the front.

To do that, her killer would have had to force her to the ground, at­tempting all the while to keep her quiet and under control as he slashed at her neck in the dark, blood spurting all over him. Somehow she still holds on to her packet of cachous. When throats are cut from the front, there are usually several small incisions because of the awkward angle of attack. When throats are cut from the rear, the incisions are long and often sufficient to sever major blood vessels and cut through tissue and cartilage all the way to the bone.

Once a killer devises a workable method, he rarely alters it unless something unanticipated occurs, causing the killer to abort his ritual or become more brutal, depending on the circumstances and his reactions. I believe that Jack the Ripper’s modus operandi was to attack from the rear. He did not lower his victims to the ground first because he would have risked a struggle and loss of control. These were streetwise, feisty women who would not hesitate to protect themselves should a client get a bit rough or decide not to pay.

I doubt Elizabeth Stride knew what hit her. She may have drifted toward the building on Berner Street because she knew the IMWC members – most of them there without their girlfriends or wives – would begin heading out around 1:00 A.M. and might be interested in quick sex. The Ripper may have been watching her from the deep shadows as she conducted business with other men, then waited until she was alone. He may have been familiar with the socialists’ club and had shown up there before, possibly even earlier that night. The Ripper could have been wearing a false mustache, beard, or some other disguise to insure that he would not be recognized.

Walter Sickert was fluent in German and would have understood the debate that had been going on for hours inside the club the Saturday night of September 29th. Maybe he was in the crowd as the debate went on. It would have been in keeping with his character to participate be­fore slipping out close to one o’clock, just as the singing began. Or maybe he never stepped inside the club at all and had been watching Elizabeth Stride ever since she left the lodging house. Whatever he did, it may not have been as difficult as one might suppose. If a killer is sober, intelligent, and logical; knows several languages; is an actor; has hiding places and does not live in the area, then it really is not so mind-boggling to imag­ine him getting away with murder in unlighted slums. But I think he may have spoken to this victim. There was never an explanation for her single red rose.

The Ripper had ample time to escape when Louis Diemschutz hurried inside the building for a candle and members of the socialists’ club rushed outside to look. Shortly after the commotion began, a woman living sev­eral doors down at 36 Berner Street stepped outside and noticed a young man walking quickly toward Commercial Road. He glanced up at the lighted windows of the clubhouse, and the woman testified later that he was carrying a shiny black Gladstone case – popular in those days and similar in appearance to a medical bag.

Marjorie Lilly recalled in her written recollections of Sickert that he owned a Gladstone bag “to which he was much attached.” On one oc­casion in the winter of 1918 while they were painting in his studio, he suddenly decided they should go to Petticoat Lane and he brought the bag out of the basement. For reasons she failed to comprehend, she wrote, Sickert painted “The Shrubbery, 81 Camden Road,” in big white numbers and letters on the bag. She never did understand the “Shrub­bery” part of the address, since Sickert had no shrubbery in his patchy front yard. Nor did Sickert ever offer her an explanation for his bizarre behavior. He was fifty-eight years old at the time. He was anything but senile. But he acted strange sometimes, and Lilly recalled being unnerved when he carried his Gladstone bag out the door and took her and an­other woman on a frightening excursion into Whitechapel during a thick, acrid fog.

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