Patricia Cornwell – Portrait Of A Killer Jack The Ripper

Times did change for the better. In the sixteenth century, the coroner’s role narrowed its focus to the investigation of sudden deaths and stayed clear of law enforcement and trial by ordeal. In 1860 – the year Walter Sickert was born – a committee recommended that the election process for coroner be treated as seriously as voting for Members of Parliament. A growing awareness of the importance of competent postmortem ex­aminations and handling of evidence added further value and prestige to the office of coroner, and in 1888 – when the Ripper murders began – a governmental act mandated that death investigation findings by coroners would no longer render any sort of financial benefit to the crown.

These important pieces of legislation are rarely if ever mentioned in connection with the Ripper crimes. Objective death investigation became a priority, and the possibility of material gain by the crown was removed. The change in law meant a change of mind-set that allowed and en­couraged the coroner to concentrate on justice and not insidious pressure from the royals. The crown had nothing to gain by interfering with the inquests of Martha Tabran, Mary Ann Nichols, or the Ripper’s other vic­tims – even if the women had been upper-class subjects with influence and wealth. The coroner had nothing to gain but plenty to lose if the freewheeling press depicted him as an incompetent fool, a liar, or a greedy tyrant. Men such as Wynne Baxter supported themselves through re­spectable legal practices. They did not add much to their incomes by pre­siding over inquests, but put their livelihoods at risk if their integrity and skills were impugned.

The evolution in the coroner’s system had reached a new level of ob­jectivity and seriousness in 1888, reinforcing my belief that there was no investigative or political conspiracy to “cover up” some nefarious secret during the Ripper murders or after they were believed to have ended. There were, of course, the usual bureaucratic attempts to prevent further embarrassment by discouraging the publication of police memoirs and classifying secret official memorandums that were never written for the public to see. Discretion and nondisclosure may not be popular, but they do not always imply scandal. Honest people delete personal e-mails and use shredding machines. But try as I might, for the longest time I could find no excuse for the silence of the elusive Inspector Abberline. So much is made of him. So little is known. So absent does he seem from the Rip­per investigation he headed.

Frederick George Abberline was a modest, courteous man of high morals who was as reliable and methodical as the clocks he repaired be­fore he joined the Metropolitan Police in 1863. During his thirty years of service, he earned eighty-four commendations and rewards from judges, magistrates, and the commissioner of police. As Abberline him­self matter-of-factly put it, “I think [I] was considered very exceptional.”

He was admired, if not cherished, by his colleagues and the public he served, and does not seem the sort to deliberately outshine anyone, but took great pride in a job well done. I find it significant that there is not a single photograph of him that anybody seems to know of, and I don’: believe this is so because all of them “walked away” from Scotland Yard’s archives and files. I would expect “pinched” pictures would have been recirculating for years, their prices mounting with each resale. It also seems that any existing pictures would have been published at least once somewhere.

But if there is even one photograph of Abberline, I do not know of it. The only hint of what he looked like is to be found in a few sketches published in magazines that don’t always spell his name correctly. Artistic versions of the legendary inspector show an indistinct-looking man with mutton chops, small ears, a straight nose, and a high forehead. In 1885. it appears, he was losing his hair. He may have slumped a bit and doesn’t impress me as particularly tall. As was true of the mythical East End monster Abberline tracked but never caught, the detective could disap­pear at will and become anybody in a crowd.

His love of clocks and gardening says a great deal about him. These are solitary, gentle pursuits that require patience, concentration, tenac­ity, meticulousness, a light touch, and a love of life and the way things work. I can’t think of many better qualities for a detective, except, of course, honesty, and I have no doubt that Frederick Abberline was as true as a tuning fork. Although he never wrote his autobiography or allowed anyone else to tell his story, he did keep a diary of sorts, a hundred-page clipping book about crimes he worked interspersed with comments writ­ten in his graceful, generous hand.

Pages: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163

Leave a Reply 0

Your email address will not be published. Required fields are marked *