Patricia Cornwell – Scarpetta11 – The Last Precinct

CHAPTER 21

TEETH HAVE THEIR OWN STORIES. YOUR DENTAL habits often reveal more about you than jewelry or de­signer clothes and can identify you to the exclusion of all oth­ers, providing you have premortem records for comparison. Teeth tell me about your hygiene. They whisper secrets about drug abuse, early childhood antibiotics, disease, injury and how important your appearance was to you. They confess if your dentist was a crook and billed your insurance company for work that was never done. They tell me, for that matter, if your dentist was competent.

Marino meets me at the morgue before daylight the next morning. He has in hand the dental records of a twenty-two-year-old James City County man who went out jogging yes­terday near the campus of William & Mary and never returned home. His name is Mitch Barbosa. William & Mary is but a few miles from The Fort James Motel, and when Marino talked to Stanfield last night and was given this latest informa­tion, my first thought was, “How odd.” Marino’s shifty attor­ney son, Rocky Caggiano, went to William & Mary. Life

offers up yet one more eerie coincidence.

It is six-forty-five when I roll the body out of the X-ray room and over to my station inside the autopsy suite. Again, it is quiet. It is Christmas Eve and all state offices are closed. Marino is suited up to assist me, and I don’t expect another living personexcept the forensic dentistto show up here right now. Marino’s part will be to help me undress the stiff, unwilling body and lift it to and from the autopsy table. I would never allow him to assist in any medical procedure not that he has ever volunteered. I have never asked him to scribe and won’t because his slaughter of Latin medical words and terms is remarkable.

“Hold him on either side,” I direct Marino. “Good. Just like that.”

Marino grips either side of the dead man’s head, trying to hold it still as I work a thin chisel into the side of the mouth, sliding it between molars to pry open the jaws. Steel scrapes against enamel. I am careful not to cut the lips, but it is in­evitable that I chip the surfaces of the back teeth.

“It’s just a damn good thing people are dead when you do shit like this to them,” Marino says. “Bet you’ll be glad when you got two hands again.”

“Don’t remind me.” I am so sick of my cast, I have had thoughts of cutting it off myself with a Stryker saw.

The dead man’s jaws give up and open, and I turn on the surgical lamp and fill the inside of his mouth with white light. There are fibers on his tongue, and I collect them. Marino helps me break the rigor mortis in the arms so we can get the jacket and shirt off, and then I take off shoes and socks, and fi­nally the warm-up pants and running shorts. I PERK him and find no evidence of injury to his anus, nothing so far to sug­gest homosexual activity. Marino’s pager goes off. It is Stan-field again. Marino has not said a word about Rocky this morning, but the specter of him hovers. Rocky is in the air, and the effect this has on his father is subtle but profound. A heavy, helpless anguish radiates from Marino like body heat. I should be worried about what Rocky has in store for me, but

all I can think about is what will happen to Marino.

Now that my patient is naked before me, I take in the full picture of who he was physically. He is five-foot-seven and a lean one hundred and thirty-eight pounds. He has muscular legs but little muscle development in his upper body, which is consistent with a runner. He has no tattoos, is circumcised and clearly cared about his grooming, based on his neatly mani­cured fingernails and toenails and clean-shaven face. So far, I find no evidence of injury externally, and X rays reveal no projectiles, no fractures. He has old scars on his knees and left elbow, but nothing fresh except the abrasions from being bound and gagged. What happened to you? Why did you die? He remains silent. Only Marino is talking in a blunt, loud way to disguise how unsettled he is. He thinks Stanfield is a dolt and treats him as such. Marino is more impatient, more insult­ing than usual.

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