Patricia Cornwell – Scarpetta11 – The Last Precinct

It is an unusual name of a lineage I really don’t know much about. The Scarpettas have lived in this country for two gener­ations, or so my mother claims, but I don’t know who these other Scarpettas are. I have never met them. I have been told we are traced back to Verona, that my ancestors were farmers and railway workers. I do know for a fact that I have only one sibling, a younger sister named Dorothy. She was briefly mar­ried to a Brazilian twice her age who supposedly fathered Lucy. I say supposedly, because when it comes to Dorothy, only DNA would convince me of who she happened to be in bed with on the occasion my niece was conceived. My sister’s fourth marriage was to a Farinelli, and after that Lucy stopped changing her name. Except for my mother, I am the only Scar-petta left, as far as I know.

Marino brakes at formidable black iron gates and his big arm stretches out to stab an intercom button. An electronic buzz and a loud click, and the gates slowly open like a raven’s wings. I don’t know why Anna left her homeland for Virginia and never married. I have never asked her why she set up a psychiatric practice in this modest southern city when she could have gone anywhere. I don’t know why I am suddenly wondering about her life. Thoughts are odd misfires. I care­fully get out of Marino’s truck and step down on granite pavers. It is as if I am having software problems. All sorts of files are being opened and closed unprovoked, and system messages are flashing. I am not sure of Anna’s exact age, only that she is in her mid-seventies. As far as I know, she has never told me where she went to college or medical school. We have shared opinions and information for years, but rarely our vul­nerabilities and intimate facts.

It suddenly bothers me considerably that I know so little about Anna, and I feel ashamed as I make my way up her neatly swept front steps, one at a time, sliding my good hand along the frigid iron railing. She opens the front door and her keen face softens, She looks at my thick, crooked cast and blue sling, and meets my eyes. “Kay, I am so glad to see you,” she says, greeting me the same way she always does.

“How’ya doin’, Dr. Zenner!” Marino announces. His en- thusiasm is overblown as he goes out of his way to show how popular and charming he is and how little I matter to him. “Something sure smells mmm-mmm-good. You cooking for me again?”

“Not tonight, Captain.” Anna has no interest in him or his bluster. She kisses both of my cheeks, careful of my injury and not hugging me hard, but I feel her heart in the light touch of her fingers. Marino sets my bags inside the foyer on a splendid silk rug beneath a crystal chandelier that sparkles like ice forming in space.

“You can take some soup with you,” she tells Marino. “There is plenty. Very healthy. No fat.”

“If it don’t got fat, it’s against my religion. I’m gonna head out.” He avoids looking at me.

“Where is Lucy?” Anna helps me off with my coat, and I struggle to pull the sleeve over the cast, and then am dismayed to realize I still have my old lab coat on. “You have no auto­graphs on it,” she says to me, because no one has signed my plaster and no one ever will. Anna has an arid, elitist sense of humor. She can be very funny without so much as a hint of a smile, and if one is not attentive and quick-witted, he will completely miss the joke.

“Yeur joint ain’t nice enough so she’s at the Jefferson,” Marino ironically comments.

Anna goes inside the hall closet to hang up my coat. My nervous energy is dissipating fast. Depression tightens its grip on my chest and increases pressure around my heart. Marino continues to pretend I don’t exist.

“Of course, she can stay here. She is always welcome and I would very much like to see her,” Anna says to me. Her Ger­man accent has not softened over the decades. She still talks in square meals, going to awkward angles to get a thought from her brain to her tongue and rarely using contractions. I have always believed she prefers German and speaks English because she has no choice.

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