Pictures from Italy

Pictures from Italy

Pictures from Italy

THE READER’S PASSPORT

IF the readers of this volume will be so kind as to take their

credentials for the different places which are the subject of its

author’s reminiscences, from the Author himself, perhaps they may

visit them, in fancy, the more agreeably, and with a better

understanding of what they are to expect.

Many books have been written upon Italy, affording many means of

studying the history of that interesting country, and the

innumerable associations entwined about it. I make but little

reference to that stock of information; not at all regarding it as

a necessary consequence of my having had recourse to the storehouse

for my own benefit, that I should reproduce its easily accessible

contents before the eyes of my readers.

Neither will there be found, in these pages, any grave examination

into the government or misgovernment of any portion of the country.

No visitor of that beautiful land can fail to have a strong

conviction on the subject; but as I chose when residing there, a

Foreigner, to abstain from the discussion of any such questions

with any order of Italians, so I would rather not enter on the

inquiry now. During my twelve months’ occupation of a house at

Genoa, I never found that authorities constitutionally jealous were

distrustful of me; and I should be sorry to give them occasion to

regret their free courtesy, either to myself or any of my

countrymen.

There is, probably, not a famous Picture or Statue in all Italy,

but could be easily buried under a mountain of printed paper

devoted to dissertations on it. I do not, therefore, though an

earnest admirer of Painting and Sculpture, expatiate at any length

on famous Pictures and Statues.

This Book is a series of faint reflections – mere shadows in the

water – of places to which the imaginations of most people are

attracted in a greater or less degree, on which mine had dwelt for

years, and which have some interest for all. The greater part of

the descriptions were written on the spot, and sent home, from time

to time, in private letters. I do not mention the circumstance as

an excuse for any defects they may present, for it would be none;

but as a guarantee to the Reader that they were at least penned in

the fulness of the subject, and with the liveliest impressions of

novelty and freshness.

If they have ever a fanciful and idle air, perhaps the reader will

suppose them written in the shade of a Sunny Day, in the midst of

the objects of which they treat, and will like them none the worse

for having such influences of the country upon them.

I hope I am not likely to be misunderstood by Professors of the

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Dickens, Charles – Pictures From Italy

Roman Catholic faith, on account of anything contained in these

pages. I have done my best, in one of my former productions, to do

justice to them; and I trust, in this, they will do justice to me.

When I mention any exhibition that impressed me as absurd or

disagreeable, I do not seek to connect it, or recognise it as

necessarily connected with, any essentials of their creed. When I

treat of the ceremonies of the Holy Week, I merely treat of their

effect, and do not challenge the good and learned Dr. Wiseman’s

interpretation of their meaning. When I hint a dislike of

nunneries for young girls who abjure the world before they have

ever proved or known it; or doubt the EX OFFICIO sanctity of all

Priests and Friars; I do no more than many conscientious Catholics

both abroad and at home.

I have likened these Pictures to shadows in the water, and would

fain hope that I have, nowhere, stirred the water so roughly, as to

mar the shadows. I could never desire to be on better terms with

all my friends than now, when distant mountains rise, once more, in

my path. For I need not hesitate to avow, that, bent on correcting

a brief mistake I made, not long ago, in disturbing the old

relations between myself and my readers, and departing for a moment

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