Shahdi Feroz was shaking her head in disagreement. “Yes, they did, but you may not realize that Maybrick kept his study locked at all times with a padlock. He kept the only key and straightened the room himself. Very peculiar for a businessman of the time. And he threatened to kill a clerk who nearly discovered something incriminating. Presumably the diary, itself. As to why he wrote the diary, many serial killers have a profound need to confess their crimes. A compulsion to be caught. It is why they play taunting games with the police, with letters and clues. A serial killer is under terrible pressure to murder his victims. By writing down his deeds, he can relieve some of this pressure, as well as relive the terrible thrill and excitement of the crime. Maybrick is not alone, in this. The risk of being caught, either through the diary or at the crime scene, is as addictive to the serial killer as the murder itself, is.”
“God, that’s really sick!” Margo gulped back nausea.
Shahdi nodded, eyes grim. “Maybrick’s diary has always rung with authenticity on many levels. To forge such a thing, a person would have needed to comprehend a vast array of information, technical and scientific skills ranging from psychopathic serial killer psychology to the forensics of ink and handwriting and linguistic styles. No, I never believed the diary to be a forgery, even before we taped Mr. Maybrick killing Polly Nichols, although many of my colleagues have believed it to be, ever since it was discovered in the twentieth century. The thing I find most intriguing, however, is his silence in the diary about this doctor who works with him. Through the whole diary, he names people quite freely, including doctors he has consulted, both in Liverpool and London. Why, then, no mention of this doctor?”