ROBERT A. HEINLEIN. By His Bootstraps

She glanced back over her shoulder. “I don’t know whether I should let you come in—I wasn’t expecting you. I haven’t washed the dishes, or made the bed. I was just putting on my make-up.”

“Don’t be coy.” He pushed the door open wide, and went on in.

When he came out he glanced at his watch. Three thirty—plenty of time. He went down the street wearing the expression of the canary that ate the cat.

He thanked the service station salesman and gave him a quarter for his trouble, which left him with a lone dime. He looked at this coin, grinned to himself and inserted it in the pay phone in the office of the station. He dialed his own number.

“Hello,” he heard.

“Hello,” he replied. “Is that Bob Wilson?”

“Yes. Who ‘is this?”

“Never mind,” he chuckled. “I just wanted to be sure you were there. I thought you would be. You’re right in the groove, kid, right in the groove.” He replaced the receiver with a grin.

At four ten he was too nervous to wait any longer. Struggling under the load of the heavy suitcases he made his way to the boardinghouse. He let himself in and heard a telephone ringing upstairs. He glanced at his watch

—four fifteen. He waited in the hall for three interminable minutes, then labored up the stairs and down the upper hallway to his own door. He unlocked the door and let himself in.

The room was empty, the Gate still there.

Without stopping for anything, filled with apprehension lest the Gate

should flicker and disappear while he crossed the floor, he hurried to it, took a firm grip on his bags and strode through it.

The Hall of the Gate was empty, to his great relief. What a break, he told himself thankfully. Just five minutes, that’s all I ask. Five uninter­rupted minutes. He set the suitcases down near the Gate to be ready for a quick departure. As he did so he noticed that a large chunk was missing from a corner of one case. Half a book showed through the opening, sheared as neatly as with a printer’s trimmer. He identified it as “Mein Kampf.”

He did not mind the loss of the book but the implications made him slightly sick at his stomach. Suppose he had not described a clear arc when he had first been knocked through the Gate, had hit the edge, half in and half out? Man Sawed in Half—and no illusion!

He wiped his face and went to the control booth. Following Diktor’s simple instructions he brought all four spheres together at the center of the tetrahedron. He glanced over the side of the booth and saw that the Gate had disappeared entirely. “Check!” he thought. “Everything on zero

—no Gate.” He moved the white sphere slightly. The Gate reappeared. Turning on the speculum he was able to see that the miniature scene showed the inside of the Hall of the Gate itself. So far so good—but he would not be able to tell what time the Gate was set for by looking into the hall. He displaced a space control slightly; the scene flickered past the walls of the palace and hung in the open air. Returning the white time control to zero he then displaced it very, very slightly. In the miniature scene the sun became a streak of brightness across the sky; the days flickered past like light from a low frequency source of illumination. He increased the displacement a little, saw the ground become sear and brown, then snow covered and finally green again.

Working cautiously, steadying his right hand with his left, he made the seasons march past. He had counted ten winters when he became aware of voices somewhere in the distance. He stopped and listened, then very hastily returned the space controls to zero, leaving the time control as it was—set for ten years in the past—and rushed out of the booth.

He hardly had time to grasp his bags, lift them and swing them through the Gate, himself with them. This time he was exceedingly careful not to touch the edge of the circle.

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