Rookwood. A Romance By W. HARRISON AINSWORTH

To return to Tom as he was in the arbour. Judging from his manner, he appeared to be almost insensible to the presence of his companions, and to be scarcely a partaker in their revelry. His back was towards his immediate neighbour; his glass sparkled untouched at his elbow; and one hand, beautifully white and small, a mark of his birth and breeding (crede Byron), rested upon the edge of the table, while his thin delicate digits, palpably demonstrative of his faculty of adaptation (crede James Hardy Vaux), were employed with a silver toothpick. In other respects, he seemed to be lost in reverie, and was, in all probability, meditating new exploits.

Next to King sat our old friend Jerry Juniper; not, however, the Jerry of the gipsies, but a much more showy-looking personage. Jerry was no longer a gentleman of “three outs”—the difficulty would now have been to say what he was “without.” Snakelike he had cast his slough, and rejoiced in new and brilliant investiture. His were “speaking garments, speaking pockets too.” His linen was of the finest, his hose of the smartest. Gay rings glittered on his fingers; a crystal snuff-box underwent graceful manipulation; a handsome old repeater was sometimes drawn from its location with a monstrous bunch

of onions (anglice, seals) depending from its massive chain. Lace adorned his wrists, and shoes (of which they had been long unconscious), with buckles nearly as large as themselves, confined his feet. A rich-powdered peruke and silver-gilted sword completed the gear of the transmogrified Jerry, or, as he now chose to be designated, Count Albert Conyers. The fact was, that Jerry, after the fracas, apprehensive that the country would be too hot for him, had, in company with Zoroaster, quitted the ranks of the canting crew, and made the best of his way to town. A lucky spice on the road set them up; and having some acquaintance with Tom King, the party, on their arrival, sought him out at his customary haunt, D’Osyndar’s, and enlisted under his banners.

Tom received them with open arms, and gave them unlimited use of his wardrobe, and only required a little trifling assistance in return. He had a grand scheme in petto, in the execution of which they could mainly assist him. Jerry was a Greek by nature, and could land a flat as well as the best of them. Zoroaster was just the man to lose a fight; or, in the language of the Fancy, to play a cross. No two legs could serve Tom’s purposes better. He welcomed them with fraternal affection.

We will now proceed to reconnoitre Jerry’s opposite neighbour, who was, however, no other than that Upright Man,

The Magus Zoroaster, that great name.

Changed as was Juniper, the Magus was still more whimsically metamorphosed. Some traces of Jerry still remained, but not a vestige was left of the original Dimber Damber. His tawny mother had not known her son. This alteration, however, was not owing to change of dress; it was the result of the punishment he had received at the “set to” at the priory. Not a feature was in its place; his swollen lip trespassed upon the precincts of his nose; his nose trod hard upon his cheek; while his cheek again, not to be behind the rest, rose up like an apple-dumpling under his single eye—single we say—for, alas! there was no speculation in the other. His dexter daylight was utterly darkened, and, indeed, the orb that remained was as sanguine a luminary as ever struggled through a London fog at noonday.

One black patch decorated his rainbow-coloured cheek; another adorned his chin; a grinder having been dislodged, his pipe took possession of the aperture. His toggery was that of a member of the prize-ring; what we now call a “belcher” bound his throat; a spotted fogle bandaged his jobbernowl, and shaded his right peeper, while a white beaver crowned the occiput of the Magus. And though, at first sight, there would appear to be some incongruity in the association of such a battered character as the Upright Man with his smart companions, the reader’s wonder will rapidly diminish, when he reflects that any distinguished P.C. man can ever find a ready passport to the most exclusive society. Viewed in this light, Zoroaster’s familiarity with his swell acquaintance occasioned no surprise to old Simon Carr, the bottle-nosed landlord of the Falstaff, who was a man of discernment in his way, and knew a thing or two. Despite such striking evidences to the contrary, the Magus was perfectly at his ease, and sacrificing as usual to the god of flame. His mithra, or pipe, the symbol of his faith, was zealously placed between his lips, and never did his Chaldean, Bactrian, Persian, Pamphilian, Proconnesian, or Babylonian namesake, whichever of the six was the true Zoroaster (vide Bayle), respire more fervently at the altar of fire, than our Magus at the end of his enkindled tube. In his creed we believe Zoroaster was a dualist, and believed in the co-existence and mystical relation of the principles of good and ill; his pipe being his Yezdan, or benign influence; his empty pouch his Ahreman, or the devil. We shall not pause to examine his tenets; we meddle with no man’s religious opinions, and shall leave the Magus to the enjoyment of his own sentiments, be they what they may.