Rose in Bloom by Louisa May Alcott

heart was thumping almost audibly as he waited for his Phebe. Not

from the anteroom, but out among the children, where she had sat

unseen in the shadow of the organ, came stately Phebe in her

wine-colored dress, with no ornament but her fine hair and a white

flower at her throat. Very pale, but quite composed, apparently, for

she stepped slowly through the narrow lane of upturned faces,

holding back her skirts lest they should rudely brush against some

little head. Straight to the front she went, bowed hastily, and, with

a gesture to the accompanist, stood waiting to begin, her eyes fixed

on the great gilt clock at the opposite end of the hall.

They never wandered from that point while she sang, but as she

ended they dropped for an instant on an eager, girlish countenance

bending from a front seat; then, with her hasty little bow, she went

quickly back among the children, who clapped and nodded as she

passed, well pleased with the ballad she had sung.

Everyone courteously followed their example, but there was no

enthusiasm, and it was evident that Phebe had not produced a

particularly favorable impression.

“Never sang so badly in her life,” muttered Charlie irefully.

“She was frightened, poor thing. Give her time, give her time,”

said Uncle Mac kindly.

“I know she was, and I glared like a gorgon, but she never looked

at me,” added Steve, smoothing his gloves and his brows at the

same time.

“That first song was the hardest, and she got through much better

than I expected,” put in Dr. Alec, bound not to show the

disappointment he felt.

“Don’t be troubled. Phebe has courage enough for anything, and

she’ll astonish you before the evening’s over,” prophesied Mac with

unabated confidence, for he knew something the rest did not.

Rose said nothing, but under cover of her burnous gave Archie’s

hand a sympathetic squeeze, for his arms were unfolded now, as if

the strain was over, and one lay on his knee while with the other he

wiped his hot forehead with an air of relief.

Friends about them murmured complimentary fibs and affected

great delight and surprise at Miss Moore’s “charming style,”

“exquisite simplicity,” and “undoubted talent.” But strangers freely

criticized, and Rose was so indignant at some of their remarks, she

could not listen to anything on the stage, though a fine overture

was played, a man with a remarkable bass voice growled and

roared melodiously, and the orphans sang a lively air with a chorus

of “Tra, la, la,” which was a great relief to little tongues unused to

long silence.

“I’ve often heard that women’s tongues were hung in the middle

and went at both ends now I’m sure of it,” whispered Charlie,

trying to cheer her up by pointing out the comical effect of some

seventy-five open mouths in each of which the unruly member was

wagging briskly.

Rose laughed and let him fan her, leaning from his seat behind

with the devoted air he always assumed in public, but her wounded

feelings were not soothed and she continued to frown at the stout

man on the left who had dared to say with a shrug and a glance at

Phebe’s next piece, “That young woman can no more sing this

Italian thing than she can fly, and they ought not to let her attempt

it.?

Phebe did, however, and suddenly changed the stout man’s opinion

by singing it grandly, for the consciousness of her first failure

pricked her pride and spurred her to do her best with the calm sort

of determination which conquers fear, fires ambition, and changes

defeat to success. She looked steadily at Rose now, or the flushed,

intent face beside her, and throwing all her soul into the task, let

her voice ring out like a silver clarion, filling the great hall and

setting the hearers’ blood a-tingle with the exulting strain.

That settled Phebe’s fate as a cantatrice. The applause was genuine

and spontaneous this time and broke out again and again with the

generous desire to atone for former coldness. But she would not

return, and the shadow of the great organ seemed to have

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