You must be satisfied with such admiration as I can honestly give. I call it a very fine country–the hills are steep, the woods seem full of fine timber, and the valley looks comfortable and snug–with rich meadows and several neat farm houses scattered here and there. It exactly answers my idea of a fine country, because it unites beauty with utility–and I dare say it is a picturesque one too, because you admire it; I can easily believe it to be full of rocks and promontories, grey moss and brush wood, but these are all lost on me.
I know nothing of the picturesque.”
“I am afraid it is but too true,” said Marianne;
“but why should you boast of it?”
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“I suspect,” said Elinor, “that to avoid one kind of affectation, Edward here falls into another. Because he believes many people pretend to more admiration of the beauties of nature than they really feel, and is disgusted with such pretensions, he affects greater indifference and less discrimination in viewing them himself than he possesses.
He is fastidious and will have an affectation of his own.”
“It is very true,” said Marianne, “that admiration of landscape scenery is become a mere jargon.
Every body pretends to feel and tries to describe with the taste and elegance of him who first defined what picturesque beauty was. I detest jargon of every kind, and sometimes I have kept my feelings to myself, because I could find no language to describe them in but what was worn and hackneyed out of all sense and meaning.”
“I am convinced,” said Edward, “that you really feel all the delight in a fine prospect which you profess to feel. But, in return, your sister must allow me to feel no more than I profess. I like a fine prospect, but not on picturesque principles. I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower–and a troop of tidy, happy villages please me better than the finest banditti in the world.”
Marianne looked with amazement at Edward,
with compassion at her sister. Elinor only laughed.
The subject was continued no farther; and Marianne remained thoughtfully silent, till a new object suddenly engaged her attention. She was sitting by Edward, and in taking his tea from Mrs. Dashwood, his hand passed so directly before her, as to make a ring, with a plait of hair in the centre, very conspicuous on one of his fingers.
“I never saw you wear a ring before, Edward,” she cried.
“Is that Fanny’s hair? I remember her promising to give you some. But I should have thought her hair had been darker.”
Marianne spoke inconsiderately what she really felt–
but when she saw how much she had pained Edward, her own vexation at her want of thought could not be surpassed by his. He coloured very deeply, and giving a momentary glance at Elinor, replied, “Yes; it is my sister’s hair.
The setting always casts a different shade on it, you know.”
Elinor had met his eye, and looked conscious likewise.
That the hair was her own, she instantaneously felt as well satisfied as Marianne; the only difference in their conclusions was, that what Marianne considered as a free gift from her sister, Elinor was conscious must have been
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procured by some theft or contrivance unknown to herself.
She was not in a humour, however, to regard it as an affront, and affecting to take no notice of what passed,
by instantly talking of something else, she internally resolved henceforward to catch every opportunity of eyeing the hair and of satisfying herself, beyond all doubt, that it was exactly the shade of her own.
Edward’s embarrassment lasted some time, and it
ended in an absence of mind still more settled.
He was particularly grave the whole morning.
Marianne severely censured herself for what she had said; but her own forgiveness might have been more speedy, had she known how little offence it had given her sister.